I just published a text sent by Chris Darke, who has seen to its translation and encouraged its publication here, for which I am profoundly grateful. The text is one Marker wrote at the request of Jean-Jacques Birgé, answering the question Images gravitate around music. Which has marked you the most? You can find the text as An Image Just Appeared by Chris Marker.
The text shows the remarkable blend of keen memory, eye for emblematic images, and historical consciousness that we find inscribed in many of Marker’s films and installations (Owls at Noon Prelude: The Hollow Men comes to mind, for one). Once again, as in Sans Soleil, the wounds of history meet the compassionate gaze of memory. En plus, the text reminds us of Marker’s deep attachment to music – in this case, jazz. It is an attachment that works subliminally in many of his films to deepen the emotional reach of the projection and audition for the spectator. It’s what made Chat écoutant la musique possible: another treasure of memory and music.
In prefacing his remarks, Marker hints at how large ‘memory’ can become – stretching space and time like an expanding universe, an impossible architecture – within a single lifetime.
The image below is of one of the ships that Marker references in this memory text.