L’essai : vues d’Allemagne, la fabrique documentaire

L'essai : vues d'Allemagne from la fabrique documentaire on Vimeo.

This essay film on ‘views’ of the essay film in Germany begins with the unmistakable, raspy and wise voice of Gilles Deleuze, and quickly launches into a rapid montage of moments of meta, showing and letting the showing speak, while adding voices but not an authorial voice per se, rather quoted voices – just as cinematic citation pulls clips out of context so does the audio editing. But everything was de-contextualized already, and perhaps it is not a loss of context we see in the meta-cinema movement, but a constant churning of recontextualization, never complete but less prone to the voice of the deus ex machina. The auteur recedes like the tide, and the collective works like ants or bees, collectively of course, behind the scenes. How refreshing not to have a central figure to lionize or demonize, to put on a pedestal. And yet, there is nostalgia for the total statement, the touch of genius, the auteur herself nonetheless. An ambivalence creeps in to the plethora of video essays we have been witness to of late, emerging like California wildfires as cinema wraps around itself and the pedagogic impulse, from professorial to journalistic, learns the tools of montage. The caméra-stylo triumphant, but awash too in a potential sea of banality. Who will emerge as the master of this new wave of essay film/video, if anyone? Do we need heros anymore? Do we need genius? Perhaps these questions are beside the point, and the real thesis is that now we can treat the film as text, something that Bellour always argued against. Not in a book, but in another film can this stratagem succeed, perhaps. Gutenberg slumbers on… The thesis can be lost as the particulars, the instances of speech and moving image as signs accumulate. Have we fallen out of the temptation of the essay to have a thesis at all, as taught relentlessly to students globally, or are we merely acceding to the impulses of the essai sauvage – the wild essay form, beginning in media res and spiraling around its ultimate thematic monads, unrushed, expansive – as born in the tower of Montaigne?

Chateau de Montaigne

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