For this encounter between thought and image, as staged throughout all films explored by these pages, also discovers particular significance via Sans Soleil. Unlike the films of this book’s earlier chapters that each emerge from a certain definitive horror – the Holocaust, Hiroshima, an atomic apocalypse – Sans Soleil marks a shift towards a more comprehensive, layered interrogation of both strangely familiar and indecipherable aspects of life that exist in relation to sufferings past and yet to come. Sans Soleil’s acute scrutinisation of the banal does indeed reveal unexpected horrors and excesses that bespeak not a single monumental historic event but countless unique injustices and sorrows and their everlasting reverberations.
Nadine’s book is to be re-released in paperback on June 1, 2015: Untimely Affects: Gilles Deleuze and an Ethics of Cinema [Plateaus – New Directions in Deleuze Studies]
Here’s an insightful review by Özgür Çiçek, Binghamton University from Film-Philosophy 20 (2016), posted on academia.org: “Nadine Boljkovac – Untimely Affects“.