
The Archive, Darke relates, homes two treasures: the film’s twin – an alternative version of La Jetée – and a workbook ‘containing an editing plan and a collection of correspondence between Marker and Jacques Ledoux, the former director of the Film Archive’ (13), both of which served as principal displays in Chris Marker: A Grin Without a Cat, the Whitechapel Gallery installation that Darke co-curated in London with Christine van Assche and Magnus Af Petersens...