Last Updated on July 13, 2020 by Сталкг
As you probably know by now, swimming as we are in era of no news is new news, Chris Marker’s incomparable masterworks La Jetée and Sans Soleil have been released again, this time on Blu-Ray by Criterion. Originally paired on DVD in a French edition by Arte Video in 2003, the films came to Criterion DVD in 2007.
I believe some of the extras on the Blu-Ray edition, released last week on February 7, 2012, are new, others appearing already on the earlier release (and, indeed, some already on the Arte DVD). Junkopia‘s inclusion is, I believe, new. I’m going to have to spend some money to find out for sure. A partial list of extras is presented by Criterion for the GUILLAUME-APPROVED EDITION:
- Restored high-definition digital transfers, approved by director Chris Marker, with uncompressed monaural soundtracks
- Two interviews with filmmaker Jean-Pierre Gorin
- Chris on Chris, a video piece on Marker by filmmaker and critic Chris Darke
- Two excerpts from the French television series Court-circuit (le magazine): a look at David Bowie’s music video for the song “Jump They Say,” inspired by La Jetée, and an analysis of Hitchcock’s Vertigo and its influence on Marker
- Junkopia, a six-minute film by Marker, Frank Simone, and John Chapman about the Emeryville Mudflats
- PLUS: A booklet featuring an essay by Marker scholar Catherine Lupton, an interview with Marker, notes on the films and filmmaking by Marker, and more
For a (technical) review of the Blu-Ray with some nice screen captures, see: criterionforum.org. This reviewer, Chris Galloway, is most impressed by the high-definition transfer of La Jetée: “contrast is perfect with rich blacks and distinct gray levels…” He is, however, left wanting to know more about Marker himself. Clearly, that’s going to take more work than viewing the extras. As Montaigne said, “All the world knows me in my book, and my book in me.” The work is the life-mirror. Convex or concave, this mirror is the gateway to the man, biographies be damned.
Speaking of biography, Marker fans will perhaps know of the far-ranging new website on Marker located at chrismarker.ch (sub-titled “On a Quest from Switzerland”). It’s quite an experience—full of arcane research, humour and crazy little graphics, hard on the eye and surely subject for a different post—but en bref, directly on the home page we’re presented with a wild ride of phantasmagorical biography, that goes from Mongolia to Chinese pirates to the Himalaya, then Argentina (“pour ses études, en échange Nostradamus des écoles primaires”), before arriving in Paris. If you read French, definitely take this new site for a weekend Harley (or Ducati) ride through the Alps. Don’t miss the great page on censorship and the fascinating one on music in Marker’s films.
But back to the Blu-Ray. You can get a look at the packaging on a different page of the Criterion Forum. Guillaume holds a sign above the Blu-Ray mark on the sticker, partially obscuring a revered Japanese cat (the nerve).
The Criterion Collection is known to cinéphiles throughout the world. I was curious how they summarized their work, and found this passage on their site, criterion.com:
Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen. Every time we start work on a film, we track down the best available film elements in the world, use state-of-the-art telecine equipment and a select few colorists capable of meeting our rigorous standards, then take time during the film-to-video digital transfer to create the most pristine possible image and sound. Whenever possible, we work with directors and cinematographers to ensure that the look of our releases does justice to their intentions. Our supplements enable viewers to appreciate Criterion films in context, through audio commentaries by filmmakers and scholars, restored director’s cuts, deleted scenes, documentaries, shooting scripts, early shorts, and storyboards.
So, what exactly is Blu-Ray? Guillaume may know more than we do, but maybe it’s worth defining a term once in a while. So off to Wikipedia:
Blu-ray Disc (official abbreviation BD) is an optical disc storage medium designed to supersede the DVD format. The plastic disc is 120 mm in diameter and 1.2 mm thick, the same size as DVDs and CDs. Blu-ray Discs contain 25 GB per layer, with dual layer discs (50 GB) being the norm for feature-length video discs. Triple layer discs (100 GB) and quadruple layers (128 GB) are available for BD-XL re-writer drives.
The name Blu-ray Disc refers to the blue laser used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs.
So now you know nothing new about the films themselves, but suffice to say they will look as good as it gets outside of real screenings (real reels, real projectors, real audience, fake popcorn). Enjoy, and let us know what you think. O, and one more thing: have you noticed how Chat écoutant la musique has begun to go viral? 60K+ views (and counting) on YouTube in this upload. [updated July 2020] If you search twitter for Chris Marker, you’ll see what I mean. Even Criterion tweeted about it recently. Maybe this short, exquisite rêverie is on its way to becoming the 3rd most famous film by the most famous of unknown filmmakers.