Category Archives: Purchase

ARTE DVD Release Pairs Mémoires pour Simone and La Solitude de chanteur de fond

memoires-pour-simone-arte

Mémoires pour Simone / La Solitude de chanteur de fond

memoirespoursimone_jaq_modal

deux films de Chris Marker

SIMONE SIGNORET – YVES MONTAND
Deux documentaires uniques sur un couple mythique

MÉMOIRES POUR SIMONE

« Mémoire des lieux. Une salle de projection dans la grande maison d’Autheuil, département de l’Eure : des bobines, des cassettes, des photos, des placards. Ce que l’on vous propose ici, ce n’est pas la vie de Simone, elle l’a racontée mieux que personne dans « La nostalgie… », ce n’est pas sa carrière, d’excellentes émissions de télévision y ont pourvu, c’est le contenu d’un placard, des petits bouts de mémoire en vrac, un voyage à travers les images qu’elle gardait. » nous dit Chris Marker à travers la voix de François Perrier.

Ami et témoin privilégié de la vie de Simone Signoret, parce que leurs chemins n’ont jamais cessé de se croiser depuis qu’ils se sont rencontrés à l’époque du Lycée Pasteur, Chris Marker fera, à la demande du 39ème Festival de Cannes en 1986, le plus beau film-hommage à celle qui disait avoir la nostalgie de la mémoire non partagée.

LA SOLITUDE DU CHANTEUR DE FOND

En février 1974, Yves Montand décide de chanter un soir à l’Olympia, pour les réfugiés chiliens en France. Il n’est pas remonté sur scène depuis 1968, avec le succès de « la bicyclette ». Et il n’a que douze jours pour se préparer…

Informations techniques

PAL- Zone 2 / Coul. / Dolby digital mono/ 16/9 et 4/3
Langues audio : français version originale
Sous-titres : sous-titres sourds et malentendants
Durée film : 122 min.
Durée totale du dvd : 122 min.

More information available at boutique.arte.tv.

English translation of summaries above coming soon.

On Chris Marker’s still-live site GORGOMANCY, the explorer of ambiguous links can find this page, which also pairs the two films and offers them in Flash video format, under the rubric of Elle et Lui: https://gorgomancy.net/elleEtLui.html

Here’s a review of Mémoires pour Simone from a French television airing in 2015 (thanks to this [email protected]):

Chris et Simone, Félins Pour l’Autre

Une grande amitié et l’amour des chats les unissaient. En 1986, Chris Marker réalisait un documentaire en hommage à Simone Signoret.

Comme les chiens dans les peintures de Carpaccio, comme la Arte coccinelle dans les planches de Gotlib, les chats abondent dans la filmographie de Chris Marker. De Riri, «héros» de son tout premier film qui n’en était pas vraiment un, bricolé à 10 ans avec des images fixes, au très virtuel Guillaume-en-Egypte (inspiré du nom de son propre chat), son avatar sur Second Life, en passant par le matou mélomane d’un court métrage-haïku Chat écoutant de la musique, en 1990), les statuettes maneki nekos de Sans soleil (en 1983) ou le jaune Monsieur Chat de Chats perchés (en 2004), ils sont partout. Et présents dans sa vie comme ils l’étaient dans celle de Simone Signoret, que Marker rencontra quand ils avaient 15 ans et dont il fut l’indéfectible ami. «On se retrouvait à midi, à la sortie des cours», écrit la comédienne dans La nostalgie n’est plus ce qu’elle était.

A sa mort en 1985, le festival de Cannes proposa au cinéaste de lui rendre un hommage sous forme documentaire. Composé de fragments de films, de propos d’époque et de souvenirs, Mémoires pour Simone donne notamment la parole à César, «chat de maison» qui a chipé son nom au personnage de Montand, amoureux de Rosalie dans le film de Sautet. «Il [le chat] se souvient, y avance Marker par la voix de François Périer, que, pendant le tournage du Chat (Pierre Granier-De-ferre, 1971), “la patronne” faisait un détour pour éviter de croiser son regard. Elle se sentait mauvaise conscience. » C’est qu’elle y jouait le rôle d’«une dame pas gentille du tout avec un chat» et qu’« elle ne voulait pas qu’il sache» !

Figure de la conscience, le gros chat au regard impassible qui surgit dans Mémoires pour Simone évoque aussi la liberté d’esprit et la constance des engagements sur lesquels Marker et Signoret se retrouvèrent souvent. «Jamais un chat n’est du côté du pouvoir», glisse d’ailleurs le cinéaste dans Le fond de l’air est rouge (en 1977) – un film dont le titre américain (A Grin Without a Cat) adresse un clin d’œil au malicieux Chat du Cheshire, qui fait dire à Alice (sous la plume de Lewis Carroll) que l’on a «souvent vu un chat sans sourire [grin, NDLR], mais jamais un sourire sans chat».

Trois ans après sa mort, Marker sourit encore. François Ekchajzer, Télérama, 09-09-15

Soda Pictures Releases 3 DVD Chris Marker Collection in English

Chris Marker Collection, a 3 DVD set of Chris Marker films published to coincide with the Whitechapel exhibition currently running in London, is out! The 3 DVD collection of Chris Marker films was published June 2, 2014 by SODA Film+Art and is now available for purchase. It’s a thrilling addition to Marker’s English-language releases. Without further ado, here are the overall details on the release. We’ll ad some additional images down the road.

Chris Marker Collection DVD set

Contents

BLU-RAY

  • Sunday in Peking (Dimanche á Pékin, 1956, 22 min)
  • Letter From Siberia (Lettre de Sibérie, 1958, 62 min)

DVD 1

  • Sunday in Peking (Dimanche á Pékin, 1956, 22 min)
  • Letter From Siberia (Lettre de Sibérie, 1958, 62 min)
  • Description of a Struggle (Description d’un combat, 1960, 60 min)

DVD 2

  • The Sixth Side of the Pentagon (La Sixiéme face du Pentagone, 1968, 27 min)
  • The Embassy (L’Ambassade, 1973, 20 min)
  • Theory of Sets (Théorie des ensembles, 1991, 11 min)
  • Three Video Haikus (Trois Vidéo Haikus, 1994, 3 min)
  • Blue Helmet (Casque blue, 1996, 26 min)
  • E-CLIP-SE (1999, 8 min)
  • The Case of the Grinning Cat (Chats perchés, 2004, 59 min)

Blu-Ray tech info: Aspect ratio: 4:3 | Running time: 80 mins. approx. | Audio LPCM 2.0 Stereo
Language English/French with English subtitles S| Region B | Colour | 1080p | 24fps

DVD Tech info: Aspect ratio: 4:3 | DVD 1 Running time: 134 mins. approx. | DVD2 Running time: 154 mins. approx. | PAL
Language English/French with English subtitles | Audio Dolby Digital 2.0 Sterio | Region 2 | 1080p | 24fps

Chris Marker Collection - interior

Passion for Words, Madness for Images

This collection of Chris Marker films consists of three works that pre-date La Jetée, the featurette that firmly planted his name as a filmmaker, as well as a series of seven shorter films that span each decade of his career thereafter. These remarkable curios reveal much about him, his ideas and his visuality, as well as his take on the modern world from an artistic point-of-view – from China, Siberia and Israel in the 1950s to the Pentagon, art collectives, cheshire cats, haikus and early new media.

Released in conjunction with a major exhibition at Whitechapel Gallery, London, and with a new piece by writer and curator Chris Darke (Rediscovering Chris Marker), alongside a seminal early piece by Roger Tailleur (Markeriana: A Scarcely Critical Description of the Work of Chris Marker).

Chris Marker Collection DVD 1 - Pentagon

About Soda Film + Art

Soda Film + Art (SoFA) is an international agency that focuses on visual artists working in feature filmmaking. It operates at the nexus of film and art, and acts as a centralised bureau for development, production, sales, distribution and exhibition support. SoFA also has a collectable DVD label, with bespoke packaging that is unique to each title and artist vision, but together forms a cohesive library – and ultimately an overview of what’s happening in art + film today. sodapictures.squarespace.com | www.sodapictures.com/about-us/

Purchase: sodapictures.squarespace.com

Rediscovering Chris Marker

By 2002, it was evidently no longer enough to describe Marker simply as a ‘filmmaker’; cinema was merely one of the forms into which this prolific artist had channelled his protean creativity. When Marker died in July 2012, aged 91, he left behind an utterly singular body of work. From his first appearance in print as an author in 1946 to his final film, a 60-second ‘trailer’ for the 2012 Vienna film festival, his oeuvre spanned over 65 years and was remarkable in its scope. He designed and edited books, published journalism and essays, as well as a novel and short stories. As a visual artist, he was an accomplished photographer, cartoonist, and multimedia practitioner. But he remains best remembered as a filmmaker, with more than forty-five titles to his name and over thirty more as a commentary-writer or editor.
Chris Darke, “Rediscovering Chris Marker”, Chris Marker Collection booklet, 5

Icarus, Arte and Argos Release Four Chris Marker Films on iTunes

iTunesThe last few years have seen a growing availability of Chris Marker’s films, initially via pirate uploads to YouTube and an underground culture in subtitles, Criterion’s essential pairing of La Jetée and Sans Soleil, then online at streaming sites like MUBI, followed more recently by the great coffret of Planète Marker by Arte (to complement the Pompidou exhibition & retrospective). Other French DVD releases were unveiled, such as the remastered Le Joli Mai (Arte again), Argos’ Level Five, Lettre de Sibérie and Dimanche à Pékin, and the remastered Loin de Vietnam (Arte). Icarus had also done a great job with Grin Without a Cat, Remembrance of Things to Come, The Case of the Grinning Cat, The Last Bolshevik and The Sixth Side of the Pentagon.

Still, English speakers had discovered and embraced Marker, and wanted more. Then came Whitechapel. The current exhibition in London has prompted the box set of films by Soda Pictures, a most welcome release just shy of a month away. And now news has surfaced of the release on iTunes of some key Marker films, the details of which are below. It is said of American tourists that the first thing they ask of hotels in Paris is a WiFi connection, so it is fitting that we get – setting aside the indispensable Criterion & Icarus releases – our media via broadband. Before too long and before any eschatelogical events, we hope to have within reach of our eyes and ears a more complete collection of the many masterpieces by Marker, in English, German, Spanish, Japanese, Hungarian, Tibetan, Mongolian… Prais the digital dieties and the Babel of languages and enjoy!

Please note: all plot summaries below reproduced from Apple’s site. Sosume.

Class of Struggle

itunes.apple.com…class-of-struggle

Plot Summary

Class of StruggleIn 1967, Chris Marker and Mario Marret (under the aegis of SLON) produced À Bientôt J’espère, which documented a strike and factory occupation—the first in France since 1936—by textile workers at the Rhodiaceta textile plant in Besançon, the goals of which prefigured many of the demands that would come to define May 1968. Many of the Rhodiaceta workers who had collaborated with Marker and Marret on the film were unhappy with the final production. In response, Marker and other SLON filmmakers reorganized their efforts to begin training workers to collaboratively produce their own films under the name “The Medvedkin Group,” after the Russian filmmaker Marker would later memorialize in The Last Bolshevik. Class of Struggle is their first production. Picking up in Besançon a year after the events depicted in À Bientôt J’espère, the film focuses on agitation by workers at the Yema Watch Factory, particularly the efforts of one recently radicalized worker, Suzanne Zedet. Zedet describes her political activity, and the punishments issued in response by the factory management. She also articulates the radical scope of her and her fellow workers’ demands, which go beyond higher wages and better benefits, and reflect a desire to reorganize the country’s economy and social order. One of those demands is access to culture and to the tools of cultural production. The film itself is one attempt to meet this demand, and we see the workers editing and developing film under a banner that reads: “Cinema is not magic; it is a technique and a science, a technique born from science and put in service of a will: the will of workers to liberate themselves.” One of the most radical films produced in an era defined by radicalism, Class of Struggle reflects this will to liberation.

Far From Vietnam

Distributor: Icarus Films
itunes.apple.com…far-from-vietnam

Plot Summary

Initiated and edited by Chris Marker, Far from Vietnam is an epic 1967 collaboration between cinema greats Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch, and Alain Resnais in protest of American military involvement in Vietnam – made, per Marker’s narration, “to affirm, by the exercise of their craft, their solidarity with the Vietnamese people in struggle against aggression.” A truly collaborative effort, the film brings together an array of stylistically disparate contributions, none individually credited, under a unified editorial vision. The elements span documentary footage shot in North and South Vietnam and at anti-war demonstrations in the United States; a fictional vignette and a monologue that dramatize the self-interrogation of European intellectuals; interviews with Fidel Castro and Anne Morrison, widow of Norman Morrison, the Quaker pacifist who burned himself alive on the steps of the White House in 1965; an historical overview of the conflict; reflections from French journalist Michèle Ray; and a range of repurposed media material. Passionately critical and self-critical, and as bold in form as it is in rhetoric, Far from Vietnam is a milestone in political documentary and in the French cinema.

La Jétee

itunes.apple.com…la-jetee
Chris Marker, filmmaker, poet, novelist, photographer, editor, and now videographer and digital multimedia artist, has been challenging moviegoers, philosophers, and himself for years with his complex queries about time, memory, and the rapid advancement of life on this planet. Marker’s La Jetée is one of the most influential, radical science-fiction films ever made, a tale of time travel told in still images.

Le Joli Mai

itunes.apple.com…le-joli-mai

Plot Summary

Le Joli Mai is a portrait of Paris and Parisians during May 1962. It is a film with several thousand actors including a poet, a student, an owl, a housewife, a stockbroker, competitive dancer, two lovers, General de Gaulle and several cats.Filmed just after the March ceasefire between France and Algeria, Le Joli Mai documents Paris during a turning point in French history: the first time since 1939 that France was not involved in any war. Part I, “A Prayer from the Eiffel Tower,” documents personal attitudes and feelings around Paris. A salesman feels free only when he is driving his car, and then only if there is not too much traffic. A working-class mother of eight has just gotten the larger apartment that she had been wanting for years. The space capsule of American astronaut John Glenn is examined by a group of admiring children. Two investors talk about their careers and adventures. A couple who have been in love since their teens discuss the possibility of eternal happiness. At a middle class wedding banquet, the guests are raucous while the bride is quiet, dignified and reserved. Part II, “The Return of Fantomas,” is an investigation of the political and social life of the city. Marker and Lhomme alternate between public events and private discussions: the former focusing on the Algerian situation, such as a funeral for people killed in Paris street demonstrations after the Algerian settlement. Meanwhile, the latter includes a conversation with two girls about the state of France; a meeting with a pair of engineers who describe the potential of the current technological revolution; an African student who discusses his own response to the French and the Parisians’ reaction to his skin color; a worker-priest forced to choose between the Church and his fellow workers; and an Algerian worker describing conflict he has experienced with native Frenchmen. The film ends with sweeping views of Paris, the façades of its prisons, and the faces of its people as they struggle to make sense of their moment in history.

§

After publishing this post, I read the reflections of on bfi.org.uk in the article “The owl’s legacy: in memory of Chris Marker“, by Catherine Lupton, Thom Andersen, Chris Petit, Jem Cohen, John Gianvito, Patrik Keller, Sarah Turner, Kudwo Eshun, José Luis Guerin and Agnès Varda. A thought of Thom Anderson’s struck me in relation to the distribution of Marker’s films in the US. It goes against the grain of this celebratory post, as does our first comment regarding the lack of availability of the iTunes releases in the UK. Here is Mr. Anderson’s thoughts, thoughts that make one wonder about the political backdrop of Marker’s limited presentation in this country historically:

I only had that one chance to see A Valparaiso projected. I’ve never had a chance to see most of his films, and others only many years after their original release. The political censorship we face in the United States has allowed only his more melancholy films, such as Sans soleil, to pass, while stopping his optimistic films, such as Sunday in Peking, If I Had Four Camels and Cuba Sí!. Others were delayed until their usefulness had vanished.

I read a review of Le fond de l’air est rouge in Variety in 1977; I first saw it in 2002, when it was finally released in the US with a new title, A Grin Without a Cat, that reversed the connotations of the original. The grin is the armed revolutionary vanguard, and the cat is the people. The disillusioned leftist has for many years been a sympathetic figure in American culture. Marker, of course, didn’t choose this role – it was falsely imposed on him in the US by selective sampling of his work.Thom Anderson

Chris Marker holding small award

Chris Marker English DVD Box Set Coming Soon

Soda PicturesI do have my RSS spies out there, my Google and Talkwalker alerts, but it was a real live human being – the awesome Fenn Brown – who informed me of this Chris Marker news. To wit: a 3 DVD collection of Marker films, going back to Sunday in Peking, passing through the essential Letter to Siberia and Description of a Struggle, and finishing up with The Case of the Grinning Cat are being published by Soda Pictures in the UK (no mention on their site of this that I could find). There are also some surprises like E-CLIP-SE and Theory of Sets. The wait for some of these has stretched on for decades, so I’m sure there is a healthy appetite for both the hors d’oeuvres and the main courses! Youtube, of course, has provided some sustenance in the meantime…
Blue-ray.com

Message Body:
Hello – You may know of this release already but could not see any details on your fine site by searching …

https://www.blu-ray.com/news/?id=13767

“The Chris Marker Collection” – out 2nd June, maybe?

CONTENT:

Sunday In Peking (Dimanche à Pékin, 1956) (also on Blu-Ray)
Letter To Siberia (Lettre de Sibérie, 1958) (also on Blu-Ray)
Description Of A Struggle (Description d’un combat, 1960)
The Sixth Side Of The Pentagon (La Sixième face du Pentagone, 1968)
The Embassy (L’Ambassade, 1973)
Theory Of Sets (Théorie des ensembles, 1991)
Three Video Haikus (Trois Video Haikus, 1994)
Blue Helmet (Casque bleu, 1996)
E-CLIP-SE (1999)
The Case Of The Grinning Cat (Chats Perchés, 2004)

Spec Aspect ratio: 4:3
BD running time: 80 mins approx
DVD1 running time: 134 mins approx
DVD2 running time: 154 mins approx
English/French with English subtitles

Best wishes,
Fenn

Pre-order is available on www.amazon.co.uk for £20.74. Region is B/2; Aspect Ratio 4:3 – 1.33:1; Number of discs: 3; Studio: Soda Pictures; DVD Release Date: 2 June 2014.

Soda Pictures was not a name familiar to me. Perusing their online catalog, however, revealed some familiar directors. Their catalog includes the following noteworthy films:

  • Close-Up by Abbas Kiarostami
  • Hannah Arendt by Margerethe Von Trotta
  • Klimt by Raul Ruiz
  • La Danse by Frederick Wiseman
  • Little Dieter Needs to Fly; The Wild Blue Yonder & Wheel of Time by Werner Herzog
  • Moloch by Alexander Sokurov
  • Museum Hours by Jem Cohen
  • Only Lovers Left Alive by Jim Jarmusch
  • Patience (After Sebald) by Grant Gee
  • Strayed by André Téchiné
  • Tetro by Francis Ford Coppola
  • The Cuckoo by Aleksandr Rogozhkin
  • The Thorn in the Heart by Michel Gondry
  • Wadjda by Haifaa Al-Mansour

More on the Marker release as more is revealed, and thanks again to Fenn.

Today, the day after the post, I received a nice note from filmaker Gareth Evans confirming this release:

We nudged Soda to do this as it is designed explicitly to tie in with the Whitechapel show. Chris [Darke] is doing the sleeve essay. They also released Patience (after Sebald), very much inspired by Marker, which we both worked on. Due out 2 June.Gareth Evans

For an update on the release, see the subsequent post Soda Releases 3 DVD Chris Marker Collection in English.

Happy Birthday Chris Marker!

We would like to invite all visitors—Marker admirers worldwide—to wish Chris Marker a Happy Birthday / Bon Anniversaire. Tomorrow, on July 29th, 2010, he will turn 89. It is indescribable what he has accomplished and continues to accomplish, but we can hope to convey a feeling, a set of feelings: celebration, admiration, and heartfelt wishes for health & many more moments of happiness (hold the black leader).

We also wish to acknowledge a celebratory discount to mark this occasion on the part of the always gracious Wexner Center Store:

In honor of Chris Marker’s 89th birthday, the Wexner Center Store is discounting all items in the Chris Marker Store 20%.

bon anniversaire chris markerSale starts at 12am CEST (Central European Summer Time) and ends 11:59pm EST (Eastern Standard Time) July 29, 2010.

Because of the time difference between Paris and Columbus the sale will last 30 hours.

The Chris Marker Store page is located at: store.wexnercenterstore.com/chrismarkerstore1.html.

Cheers! Please leave comments below expressing your thoughts, feelings, regards, reflections on this remarkable polymath, bricoleur, cinéaste, photographer, human being.

Wexner offers Chris Marker’s History of Art Postcards

Chris Marker: How a grinning cat visits the History of Art - 10 PostcardsWhile browsing the Wexner Center Chris Marker Store of late, along with the recent release of the English text of Coréennes with letterpress cover, we came upon an additional collector’s item created by Chris Marker—a set of 10 postcards re-visiting, from a cat’s perspective, the History of Art. The set is published by Peter Blum, curator of the recent extensive gallery show of Marker’s photographs and installations in New York, and offered for sale by Wexner.

While we haven’t seen the postcards yet, we can’t help but think of the virtual gallery tour of “Pictures at an Exhibition,” which also revisits the history of art from an irreverent digital bricoleur’s perspective. Marker’s productions ‘d’ocassion,’ such as these seem to be, each grow from the previous, with modified perspectives and end products—rhizomatically, as it were. The Museum, in the process, reappears in miniaturized and parodic form; the monolithic cultural storehouses of the past seem to receive and inexorably incorporate material from other time zones and other realities. On the level of production-scale, one can see once again the fruits of the ‘caméra-stylo,’ a further avenue of expression for the one-man, many-cats production team.

Chris Marker: how a grinning cat visits the History of Art – 10 Postcards
Chris Marker
Peter Blum Editions

Chris Marker’s trademark grinning yellow cat pops in to works of art by Goya, van Gogh, Picasso, and others in this set of ten postcards collected in a transparent envelope.

We also have a limited number of special signed editions for $60.

$20.00 | Member price: $18.00

Coréennes English Text Published

Wexner Center for the Arts continues to offer delights to Marker fans, most recently by offering an English translation of original text of Coréennes. This item, with letterpress cover and translation by Brian Holmes, ships with the purchase of the Korean version of the full book. It’s a companion piece, and bundled as such. For more information, go to the Chris Marker Store.

Available only with purchase of Coréennes. Colors distributed at random. Please contact shopweb@wexarts.org if you’ve purchaed the book without translation.

The text is an English translation of the French text originally appearing in Coréennes. Also included are an afterword and several notes written by Chris Marker in 1997.

Text provided by and used with the permission of Chris Marker
Translation: Brian Holmes

Cover printed by letter press at OSU Libraries’ Center for Book Arts, The Ohio State University, in an edition of 200. Designed by Erica Anderson.

Icarus Releases, Wexner Debuts Grin Without a Cat DVD

Icarus Releases Grin Without a Cat

Dog Without A GrinA GRIN WITHOUT A CAT is Chris Marker’s epic film-essay on the worldwide political wars of the 60’s and 70’s: Vietnam, Bolivia, May ’68, Prague, Chile, and the fate of the New Left.

Released in France in 1978, restored and “re-actualized” by Marker fifteen years later (after the fall of the Soviet Union), we are proud to release the film now for the first time in the United States.

Described by Marker as “scenes of the Third World War,” the film (the original French title is virtually untranslatable) is divided into two parts, each weaving together two strands:

Part 1: Fragile Hands
  1. From Vietnam to Che’s death
  2. May 1968 and all that
Part 2: Severed Hands
  1. From Spring in Prague to the Common Program of Government in France
  2. From Chile to – to what?

Icarus Films

Wexner Center Store Exclusive

The Wex has a special, long term relationship with French filmmaker Chris Marker, and the Wexner Center Store is, for a limited time, the exclusive outlet for the DVD release of A Grin Without a Cat, Marker’s magnum opus—a three-hour overview of the political turmoil around the world during the ’60s and ’70s. On the occasion of its release, director of media arts Bill Horrigan offers his thoughts.

Wexblog

The Struggle for Memory

A GRIN WITHOUT A CAT (its title refers to Lewis Carroll’s Cheshire Cat) is Marker’s magnum opus: a three-hour overview of the worldwide political upheavals during the Sixties and Seventies.Grin Without a Cat - DVD (English)

Marker interweaves footage from the Vietnam War and the antiwar protests in the U.S., May 68 in Paris, the Soviet invasion of Czechoslovakia, Salvador Allende and the coup in Chile, Che Guevara and Regis Debray in Bolivia, the Shah of Iran, Fidel Castro, et alia.

Official images, film clips, news coverage trims and neglected reels comprise the basic materials of this major fresco, which concludes with the following credit: “The true authors of this film are the countless cameramen, technical operators, witnesses and activists whose work is constantly pitted against that of governments, who would like us to have no memory.”

Wexner Center for the Arts, Chris Marker Store

Bill Horrigan on Chris Marker [excerpt]

One of the unexpected pleasures of Icarus’s DVD of Chris Marker’s Grin Without A Cat comes from reading the essay Marker produced for the disk’s accompanying booklet. Writing in May, 2008, Marker looks back upon the political turmoil of the 1960s that GRIN is grounded in, averring that it’s 1967 (rather than 1968) that ought to be regarded as seminal. […]

Reading this essay reminded me of how relatively little of Marker’s writing is available in English, the most glaring gaps being the justly legendary volumes of Commentaires, the script of the original version of Le Fond De L’Air Est Rouge (Grin’s French title), and the countless shorter articles he’s been writing for over five decades now, no end in sight. Fragments of these materials appear within Marker’s CD-ROM, Immemory (principally, the text from his book on Korea, Coreennes), but vastly more awaits translation.

Bill Horrigan, quoted on Wexblog

Wexner now offering Owls at Noon

Owls at Noon

Chris Marker: Owls at Noon Prelude: The Hollow Men
Chris Marker, Adrian Martin, Raymond Bellour
Institute of Modern Art, Australia

A heavily illustrated study of French filmmaker Chris Marker’s portentous video installation Owls At Noon Prelude: The Hollow Men, with essays by Adrian Martin and renowned French film theorist Raymond Bellour. Introduced by Robert Leonard.

Coréennes Reprint @ Wexner

Wexner writes: “The Wexner Center Store has acquired some copies of the 2008 Korean reprint of [Chris Marker’s] Coréennes by Noonbit Publishing.”

Coreennes by Chris Marker - Korean Reprint @ Wexner Store

The order page provides additional information:

Chris Marker: Coréennes
Noonbit Publishing

Korean reprint of 1959’s book of photos by Chris Marker. Over 120 black-and-white photos of North Korea with illustrations from maps, comic books, street posters and paintings. This book was the result of a trip to North Korea.

Coréennes explores Marker’s innovative, “seamless moving in-between media,” defying boundaries between still photography, cinema, the novel, historical accounts and the travelogue. “Rarely has an artist authored so many disparate masterpieces” (Afterimage). Preceding his best-known work La Jetée (1962), which was a series of still photographs cast as a short film, Marker’s Coréennes in many ways inverts that format—here casting a film in a series of still photographs and text.

Hardcover, 150pp, 7.5×8 inches, Korean Text

Member price: $31.50
Item#: 9788974091897
$35.00

Great news, without a doubt, but we can’t help thinking that if this book is indeed a translation and does not include the original French text, it will offer only half the story to its Western readers, like a film with a scrambled soundtrack. This is stated with absolutely nothing against Korean, by all accounts one of the most unique languages on the petite planète…*

* From the Wikipedia entry on Korean language: Korean is similar to Altaic languages in that they both lack certain grammatical elements, including number, gender, articles, fusional morphology, voice, and relative pronouns…