Chris Marker Notes from the Era of Imperfect Memory

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Another Villeneuve

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L’essai proposé ici se prend au jeu de la compagnie des images. Il propose l’invention d’un aller-retour sur Chris Marker. Nous sommes à bord d’un train : les images défilent au rythme de la machine ; elles évoquent d’autres images, des pensées et des souvenirs. Disons, par utopisme, que l’on dispose à volonté de toutes les images de Marker et de leurs commentaires – chose apparemment utopique tant le cinéaste lui-même a contribué à la difficulté de les rassembler...

William Gibson on La Jetée

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“…nothing I had read or seen had prepared me for it. Or perhaps everything had, which is essentially the same thing.” – William Gibson From: ‘Thrilling and prophetic’: why film-maker Chris Marker’s radical images influenced so many artists – theguardian.com William Gibson, novelist I first saw La Jetée in a film history course at the University of British Columbia, in the early 1970s. I imagine that I would have read...

Letter to Alain Cuny by Chris Marker – Exhilaration

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Here is the English translation of the recently unearthed ‘Lettre à Alain’, originally published in Libération to highlight the 1991 debut of the film L’Annonce faite à Marie, under the title “Chris Marker: ‘Something of a Miracle’, with the sub-title ‘In 1991, for the release of the first projections of L’Annonce faite à Marie [The Announcement Made to Marie], Chris Marker wrote to the ‘young’ filmmaker...

Fonds Chris Marker – 550 Grands Cartons chez Cinémathèque française

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Pleased to see a web presence for the estate of Chris Marker at the Cinémathèque française: www.cinematheque.fr. Here is the current communication available, discussing the reception of 550 large boxes from the Marker’s personal estate, the sum total of his books, harddrives, memorabilia, computers, press clippings, keepsakes from uncountable years of travel. What followed and still follows is an inventory of all these materials. This article represents a...

Lettre à Alain de Chris Marker – Exhilaration

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Though the context is in absentia, a letter of Chris Marker to Alain Cuny has suddenly appeared on the site www.derives.tv. The letter is from 1991, so the year of Marker’s 70th birthday. The word ‘relics’ somehow comes to mind. It was a Pink Floyd album title, and connotes as well a practice of conserving what remains behind when a great being has departed, often in a saintly or lama-esque context. Somehow the spirit of that being inheres...

Bellour + Beaujour on the Self-Portrait

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If we must finally find one word to describe what Odenbach makes, let us use ‘self-portrait’—as literary tradition conceived it, as it has been redefined by a certain auteur cinéma, and as today’s video permits in a clearer, more natural way. The self-portrait is this idiosyncratic literary genre whose logic has been described, and genealogy traced, in a book by Michel Beaujour. Unlike autobiography, which tells the story of a life, the self...

Chris Marker Notes from the Era of Imperfect Memory

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