Chris Marker Notes from the Era of Imperfect Memory

CategoryMemory

CHRIS MARKER – The Cinémathèque Catalog

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Publisher: Cinémathèque française, 2018ISBN: 978-2-330-01569-5 Direction d’ouvrage: Raymond Bellour, Jean-Michel Frodon et Christine Van AsscheEn collaboration avec Florence Tissot Editeur: David Lestringant Table of Contents Chronologie Florence Tissot Introduction Raymond Bellour, Jean-Michel Frodon et Christine Van Assche I – Ouverture Florence Delay — L’invention de Marker II — Guerre, après-guerre Jean Michel Frodon — 1939-1946, fragments...

Another Villeneuve

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L’essai proposé ici se prend au jeu de la compagnie des images. Il propose l’invention d’un aller-retour sur Chris Marker. Nous sommes à bord d’un train : les images défilent au rythme de la machine ; elles évoquent d’autres images, des pensées et des souvenirs. Disons, par utopisme, que l’on dispose à volonté de toutes les images de Marker et de leurs commentaires – chose apparemment utopique tant le cinéaste lui-même a contribué à la difficulté de les rassembler...

Hommage à Chris Marker, la fabrique documentaire

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Hommage à Chris Marker 4/6 – "Marker photographe" from la fabrique documentaire on Vimeo.

Related posts:
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L’essai : vues d’Allemagne, la fabrique documentaire
Agnès Varda in the Atelier
On Chris Marker
Chris Marker Filmography
Centre Pompidou Chris Marker Archive

William Gibson on La Jetée

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“…nothing I had read or seen had prepared me for it. Or perhaps everything had, which is essentially the same thing.” – William Gibson From: ‘Thrilling and prophetic’: why film-maker Chris Marker’s radical images influenced so many artists – theguardian.com William Gibson, novelist I first saw La Jetée in a film history course at the University of British Columbia, in the early 1970s. I imagine that I would have read...

Letter to Alain Cuny by Chris Marker – Exhilaration

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Here is the English translation of the recently unearthed ‘Lettre à Alain’, originally published in Libération to highlight the 1991 debut of the film L’Annonce faite à Marie, under the title “Chris Marker: ‘Something of a Miracle’, with the sub-title ‘In 1991, for the release of the first projections of L’Annonce faite à Marie [The Announcement Made to Marie], Chris Marker wrote to the ‘young’ filmmaker...

Fonds Chris Marker – 550 Grands Cartons chez Cinémathèque française

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Pleased to see a web presence for the estate of Chris Marker at the Cinémathèque française: www.cinematheque.fr. Here is the current communication available, discussing the reception of 550 large boxes from the Marker’s personal estate, the sum total of his books, harddrives, memorabilia, computers, press clippings, keepsakes from uncountable years of travel. What followed and still follows is an inventory of all these materials. This article represents a...

Letter à Alain de Chris Marker – Exhilaration

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Though the context is in absentia, a letter of Chris Marker to Alain Cuny has suddenly appeared on the site www.derives.tv. The letter is from 1991, so the year of Marker’s 70th birthday. The word ‘relics’ somehow comes to mind. It was a Pink Floyd album title, and connotes as well a practice of conserving what remains behind when a great being has departed, often in a saintly or lama-esque context. Somehow the spirit of that being inheres...

Bellour + Beaujour on the Self-Portrait

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If we must finally find one word to describe what Odenbach makes, let us use ‘self-portrait’—as literary tradition conceived it, as it has been redefined by a certain auteur cinéma, and as today’s video permits in a clearer, more natural way. The self-portrait is this idiosyncratic literary genre whose logic has been described, and genealogy traced, in a book by Michel Beaujour. Unlike autobiography, which tells the story of a life, the self...

Rare Chris Marker Post-War Memory Published

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I just published a text sent by Chris Darke, who has seen to its translation and encouraged its publication here, for which I am profoundly grateful. The text is one Marker wrote at the request of Jean-Jacques Birgé, answering the question Images gravitate around music. Which has marked you the most? You can find the text as An Image Just Appeared by Chris Marker. The text shows the remarkable blend of keen memory, eye for emblematic images, and historical...

Ça fait longtemps

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Fronticepiece, Modest Mussorgsky’s Без солнца [‘Sans Soleil’], as printed in Sans Soleil original brochure, 1982 ça fait longtemps que l’on a visité le salle Roxie à San Francisco et s’est trouvé tombé sous le charme d’un film qui s’intitule simplement Sans Soleil ça fait longtemps trente ans aujourd’hui ou pas peu importe parce que la mémoire vaut mieux que le temps ça fait longtemps comme le bon vin qui chaque année...

Lettre de Sibérie and Dimanche à Pékin Coming Soon to DVD

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As twilight passes into night on the left coast of an increasingly hysterical nation, I find somehow my browser has arrived, as if of its own volition, at amazon.fr. I had received an odd email re. a company trying to brand the word “chrismarker” and my thoughts turned toward the still very much missed bricoleur. I was wondering if someday some entity would trademark everything or if it might be a new line of perfume. A visitor had commented on...

L’entretien infini

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An hour-long entretien has been published on France Culture: “Chris Marker (1921-2012),” in the collection “Une vie, un oeuvre” curated by Matthieu Garrigou-Lagrange. This eloquent, personal and erudite conversation is hosted by Virginie Bloch-Lainé; participants include Claude Lanzmann, Régis Debray, Raymond Bellour, Arnaud Lambert, Bruno Muel, Eric Marty and Edourd Waintrop. You can listen to the conversation embedded below or go to www...

Agnès Varda in the Atelier

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« Le désordre de son atelier est magnifique. » Episode 1 of “Agnès de ci de là Varda” on arte.tv gives viewers a rare glimpse into Chris Marker’s atelier, replete with audio-visual & computer equipment, books, clippings, cats & owls, totemic miscellanea, and a bit of the voice-off of Marker himself. Here is an endless sprawl of creation out of the personal archive, the living space of the magnetic bible continuously remembering...

Eclipse

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Thus, every self-portrait (unlike autobiography which even when it resorts to a myth such as that of the four ages, is limited to an individual’s memory and to the places where he lived) ceases to be essentially individual except, of course, in a purely anecdotal sense. The writing machine, the system of places, the figures used – everything in it tends towards generalization, whereas the intra-textual memory, that is, the system of cross-references...

L’Archipel Fantôme: An Appreciation

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Thanks to Quentin D. for alerting us to a fascinating poem-image collage narrative entitled L’Archipel Fantôme, set in the virtual space of Second Life, one of many lives known to the transmigrating cat. Though veiled with  elegant self-effacement, this rêverie bears the signature, to our senses, of the master’s hand, mind and spirit (though it is not his own, as we have learned post-post). The story presents a kind of back and forth play of images and...

Chris Marker Notes from the Era of Imperfect Memory

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