Category Archives: Exhibitions

CHRIS MARKER – The Cinémathèque Catalog

Chris Marker - Cinematheque catalogue

Publisher: Cinémathèque française, 2018
ISBN: 978-2-330-01569-5

Direction d’ouvrage: Raymond Bellour, Jean-Michel Frodon et Christine Van Assche
En collaboration avec Florence Tissot

Editeur: David Lestringant

Table of Contents

Chronologie

Florence Tissot

Introduction

Raymond Bellour, Jean-Michel Frodon et Christine Van Assche

I – Ouverture

Florence Delay — L’invention de Marker

II — Guerre, après-guerre

Jean Michel Frodon — 1939-1946, fragments biographiques et littéraires

Thomas Tode — Un après-guerre promis è l’apocalypse à l’utopie

François Crémieux — Chris Marker, nouvelle plume de la revue Esprit

Raymond Bellour — Le Coeur net

III – Les Statues meurent aussi

Olivier Hadouchi — Les Statues meurent aussi: de l’essai sur l’art africain au réquisitoire anticolonialiste

Christa Blümlinger — Marker/Malraux: ambiguités partagées

Raymond Bellour — L’Archiviste

Monika Dac — À l’affût d’une « clandestinité du bonheur »: Les animaux chez Chris Marker

Christine Van Assche — De l’assemblage surréaliste au dispositif muséal

IV – Grande et «Petite planète»

Bamchade Pourvali — Chris Marker, éditeur-monteur

Filipa Ramos — Les usages de la photographie: il est six heures sur toute la Terre
Joerg Bader — Armé d’un appareil

Arnaud Lambert — L’Usage du monde: voyage et politique

V – La Jetée

Raymond Bellour — Folie de La Jetée

Sam Di Iorio — Troubles saisonniers: Le Joli Mai et Chronique d’un été

Bernard Benoliel — Le fils d’Orphée (Marker cinéphile)

VI – Intermède – Trois pays

Bernard Eisenschitz — Octobre et le regard russe

Nora Alter — Marker America: « vous êtes l’innocence »: « vous êtes la jeunesse »

Chris Fujiwara — Le temps à l’intérieur le temps: Marker et le Japon

VII – Mai 68 – avant, après

Catherine Roudé — Construction collective de l’autonomie

Jean-Michel Frodon — Chris Marker et Jean-Luc Godard, chemins faisant

Jean-Michel Frodon — Le Fond de l’air est rouge, aux tournants du siècle

VIII – Tous les espaces-temps

Paul Sztulman — L’explorateur des techniques

Jacques Rancière — Les métamorphoses de la chouette

Christine Van Assche — Zapping Zone (Proposals for an Imaginary Television), « le métissage des genres »

Thomas Tode — A Crac In Time: le CD-ROM Immemory

Chris Darke — Quelles images reviennent: Owls at Noon Prelude: The Hollow Men

Lambert Doussen — La musique, le bruit des images au travail

IX – Marker.org

Christophe Chazalon — L’art du bricolage numérique

Judith Revault d’Allonnes, Étienne Sandrin – Nom d’un chat !

Dork Zabunyan — Second Life, et après ?

Annexes

I would like to thank Christophe Chazalon for arranging to have a copy of the catalog sent to me. My reflections on the catalog, including its remarkable layout and visual content, are to follow. Heartfelt congratulations to all who contributed to this unique publication, in all capacities.
– Daniel


Photo © Cinématheque française, 2018

France Culture Podcasts – Conversations on Chris Marker

We have been following with appreciation the podcasts of France Culture on the occasion of the phenomenal Sept Vies d’un Cinéaste exhibition/retrospective, conversations that touch on Chris Marker’s life, friendships and wisdom in a way that the written word has a harder time achieving – the Costa-Gavras conversation is exemplary in this regard. There is an intimacy to the spoken voice that comes through vividly, and the questions posed by Albane Penaranda are always on target.

To state the obvious: all France Culture podcasts in the Chris Marker series are in French, and rapid spoken French at that. Repeat listenings are recommended. We thank France Culture for allowing the exporting of iframe audio player code, so these podcasts can be shared on the web. All quotations below are copyright © France Culture and taken from the articles that accompany the podcasts, at www.franceculture.fr under the rubrique Les Nuits de France Culture.

These valuable supplements to the current exhibition put us in proximity with the co-creators of the exhibition / retrospective, Christine van Assche and Raymond Bellour, with the young Marker himself – like Benjamin, making early forays into radio as yet another medium of expression – and with his close friend and fellow cineaste Costa-Gavras. The three van Assche & Bellour episodes demonstrate their deep familiarity with and lucid insight into Marker’s work, the awe they hold it in, as well as the enormity of the Marker archive at their/our disposal now at the Cinémathèque française.

Qui était Chris Marker

En décembre 2012, pour “Une vie, une œuvre”, Virginie Bloch-Lainé rassemblait les morceaux du puzzle Marker. Ecrits, photographies, films, vidéos, dessins et mondes virtuels l’univers de Chris Marker était raconté par Claude Lanzmann, Régis Debray, Raymond Bellour, parmi d’autres.

Arles 2011 Chris Marker exposition - Photo Gérard Julien, afp

“Jusqu’à la fin des temps”, un essai radiophonique de Chris Marker

L’écriture, plus que l’image, a occupé les premières années du parcours de Chris Marker. À la revue Esprit notamment, dans laquelle il publia de nombreux articles entre 1947 et 1955. Il y eut aussi la poésie, un roman, Le cœur net, en 49, et en 52 un essai sur Jean Giraudoux. Tout naturellement, le texte, l’écriture, menèrent Chris Marker à plusieurs reprises vers les studios de radio : Solitude, diffusée en 1943, à la radio nationale, une pièce radiophonique écrite sous le pseudonyme de Marc Dornier… L’Aube noire, en 1949, sur Paris-Inter, dans le cadre d’une émission de poésie… Toujours en 1949 et sur Paris-Inter, Cirque de notre vie dans la collection Les argonautes… Et aussi, La Peur à la radio : le fantastique, en 1950, une émission de science-fiction encore sur Paris-Inter, écrite par Chris Marker, Jean Basset et Pierre Schaeffer.

Jusqu’à la fin des temps, l’émission de la RDF est un essai dramatique d’un peu moins de vingt minutes que Chris Marker signa en 1949. Un récit empreint d’inquiétude, au temps d’un après-guerre irréel, dans lequel, comme dans un mauvais rêve, le monde menace de s’abîmer.

§

“Chris Marker était quelqu’un qui, impulsivement, écrivait, on a l’impression qu’il écrivait plus vite qu’il ne pensait”

A l’occasion de l’exposition qui lui est consacrée à la Cinémathèque française, Albane Penaranda propose une “Nuit Chris Marker” avec des archives et des entretiens, pour commencer avec Raymond Bellour et Christine Van Assche. Entretien 1/3 avec les co-commissaires de l’exposition.

Nuit Chris Marker – Entretien avec Raymond Bellour et Christine Van Assche

A l’occasion de l’exposition qui lui est consacrée à La Cinémathèque française, Albane Penaranda propose une “Nuit Chris Marker” avec des archives et des entretiens. Deuxième partie de l’entretien avec Raymond Bellour et Christine Van Assche. Entretien 2/3 avec les co-commissaires de l’exposition.

Nuit Chris Marker – Dernier entretien avec Raymond Bellour et Christine Van Assche

A l’occasion de l’exposition qui lui est consacrée à La Cinémathèque française, Albane Penaranda propose une “Nuit Chris Marker” avec des archives et des entretiens. Troisième et dernière partie avec Raymond Bellour Christine Van Assche (co-commissaires de l’exposition).

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Costa-Gavras : “Sur un film Chris Marker ne voulait pas être le chef, il voulait être parmi les créateurs, cela c’est exemplaire”

Entretien avec le Président de La Cinémathèque Française, Costa-Gavras, qui était un des plus proches amis de Chris Marker. A l’occasion de l’exposition qui lui est consacrée et de la “Nuit Chris Marker”, il revient sur cette amitié et sur l’oeuvre de Marker.

Costa-Gavras, Ami de Chris Marker et Président de la Cinémathèque française

Christine van Assche & Raymond Bellour, les co-commissaires de l’exposition

Cinemathèque française Announces Chris Marker Exhibition + Retrospective

Les Sept Vies d'un Cineaste Chris Marker Exhibition Cinematheque francaise

Exciting news from the Cinémathèque française announcing dates for the much-anticipated Chris Marker exhibition has been posted on www.cinematheque.fr.

Here’s the intro and several citations for now. English translations have been added at the end of the post.

For background on the acquisition of Marker’s estate, see State of the Estate and State of the Estate II: The Glorious Shambles, as well as Fonds Chris Marker – 550 Grands Cartons chez Cinémathèque française here at chrismarker.org.

CHRIS MARKER LES 7 VIES D’UN CINÉASTE
EXPOSITION – RETROSPECTIVE DU 3 MAI AU 29 JUILLET 2018

L’exposition Chris Marker est un voyage. Un voyage dans l’espace et le temps, un voyage qui accompagne, de la Deuxième Guerre mondiale et la Résistance jusqu’à sa mort en 2012, le parcours exceptionnel d’un cinéaste et d’un homme hors du commun. Ce voyage est à la fois la chronique d’une existence longue et très remplie, et une libre circulation dans les différentes couches du temps aux côtés d’un explorateur inventif de possibles déplacements entre présent, passé et avenir, déplacements dont La Jetée a offert le modèle le plus connu. Cette exposition est en même temps un voyage dans l’espace, à la surface de la planète, aux côtés d’un infatigable globe-trotter, curieux du monde et de ses habitants : la Californie, l’Islande, la Corée, la Guinée-Bissau, la Sibérie, la Chine, l’Amérique latine de Mexico à Valparaíso en passant par La Havane, jalonnent ces trajets où l’amour du Japon occupe une place singulière. Les parcours de Chris Marker, à l’occasion, l’auront même mené sur Mars ou sur la planète virtuelle de Second Life…

[…]

La Cinémathèque française a recueilli les immenses archives de toute nature et sur tout support laissées par Marker à sa mort. C’est à partir de ce trésor aussi riche qu’hétérogène qu’a été conçue l’exposition, à la fois chronologique et thématique. La matière de ce legs est si riche et si complexe que l’inventaire de celui qui fut aussi un archiviste passionné n’est pas encore achevé au moment d’ouvrir l’exposition. On y découvre en particulier les œuvres originales qui lui avaient été offertes par de grands artistes, ses propres créations plastiques jusque-là inconnues, ainsi que ses deux grandes installations, Zapping Zone (Proposals for an Imaginary Television) et Owls at Noon Prelude: The Hollow Men, ainsi que le programme de discussion avec un ordinateur qu’il avait conçu, Dialector.

[…]

L’exposition est accompagnée, dans les salles de la Cinémathèque, par l’intégrale des films, vidéos et programmes télévisés (les treize épisodes de L’Héritage de la chouette) réalisés par Chris Marker. Seront également projetés les films auxquels il a collaboré, et le documentaire récent que lui ont consacré Jean-Marie Barbe et Arnaud Lambert, Never Explain, Never Complain. Et encore un programme particulier de grands films classiques particulièrement aimés de Marker et avec lesquels ses propres réalisations dialoguent.

Text by: Christine Van Assche (commissaire générale), Raymond Bellour et Jean-Michel Frodon (commissaires associés)

Find out more at: www.cinematheque.fr

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For those who wish in advance to dig a bit deeper into a philosophical exploration of Chris Marker and the archive, I recommend reading “Marker’s Archive”, the second Essay of Gavin Keeney’s recent book Knowledge, Spirit, Law: Book 2: The Anti-Capitalist Sublime. The sections of this wide-ranging reflection – within an even wider-ranging, fascinating book – comprise: I. Cultural Patrimony; II. Futural Intensity; III. Belated Assimilations; IV. Editioned Works; V. Pre-1962 Marker; and VI. Postscript. It is available through Punctum Books (‘earth, milky way’) in a limited edition. See punctumbooks.com.

Keeney is no stranger to Marker. In 2012, he published Dossier Chris Marker: The Suffering Image. The publisher Cambridge Scholars offers this sample online: Download PDF: Dossier Chris Marker.

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CHRIS MARKER THE 7 LIVES OF A CINEASTE
EXPOSITION – RETROSPECTIVE FROM MAY 3 TO JULY 29, 2018

The exhibition Chris Marker is a journey. A journey in space and time, a journey that accompanies, from the Second World War and the Resistance until his death in 2012, the exceptional journey of a filmmaker and a man out of the ordinary. This trip is at the same time the chronicle of a long and very full existence, and a free movement in the different layers of time alongside an inventive explorer of possible displacements between present, past and future, displacements of which La Jetée offered the best known model. This exhibition is at the same time a journey into space, on the surface of the planet, alongside a tireless globe-trotter, curious about the world and its inhabitants: California, Iceland, Korea, Guinea Bissau, Siberia, China, Latin America from Mexico City to Valparaíso via Havana, mark out those journeys where the love of Japan occupies a singular place. The courses of Chris Marker, on occasion, will have even led him to Mars or to the virtual planet of Second Life …

[…]

The Cinémathèque française has collected the immense archives of all kinds and on any medium [format, device] left by Marker at his death. It is from this rich and heterogeneous treasure – both chronological and thematic – that the exhibition was conceived. The material of this legacy is so rich and so complex that the inventory of the one who was also a passionate archivist is not yet complete when opening the exhibition. In particular, we discover the original works that had been offered to him by great artists, his own previously unknown plastic [fine art] creations, as well as his two great installations, Zapping Zone (Proposals for an Imaginary Television) and Owls at Noon Prelude: The Hollow Men, as well as the discussion program with a computer he had designed, Dialector.

[…]

The exhibition is accompanied, in theaters of the Cinémathèque, by the complete movies, videos and television programs (the thirteen episodes of The Owl’s Legacy) directed by Chris Marker. Also to be screened are the films he collaborated on, and the recent documentary directed by Jean-Marie Barbe and Arnaud Lambert, Never Explain, Never Complain. And as well a particular program of great classic films particularly loved by Marker and with which his own realizations dialogue.

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Update I: Assembling Marker with Jean-Michel Frodon

I just noticed news of an event, “Assembling Marker”, which will put Marker curator Jean-Michel Frodon in conversation with Nora Alter at Slought | Assembling Marker in Philadelphia, on March 12, 2018. It has been organized with Film and Media Arts at Temple University and Cinema & Media Studies and French & Francophone Studies at the University of Pennsylvania. Of course the mention of a “double volume publication” by the Cinémathèque definitely caught my attention. Here an excerpt from the announcement:

Upon Marker’s death, there were no direct heirs nor designees to manage his estate, preserve his legacy, and archive his materials. That task was taken up by the archives experts from Cinémathèque française, with the help and guidelines of a few devoted individuals including Jean-Michel Frodon and Raymond Bellour. The result of their tireless efforts and commitment is a double volume publication forthcoming this May, the most comprehensive exhibition ever dedicated to Marker’s multifacted work, and a vast retrospective including all his films and many of those he was inspired by or that were inspired by him, opening at the Cinémathèque Française on May 2. In conversation with Alter, Frodon will discuss the experience and process of archiving Marker, editing his writings and preparing an exhibition—all part of the process of making accessible the work of a deeply private person who vehemently disliked public life.
slought.org

Where do people get the idea that being a “deeply private person” translates automatically into “vehemently disliked public life”? Sure, if we define public life as non-stop interviews and being stalked by paparazzi, that might hold true, but Marker welcomed strangers into his atelier, offered them vodka, made friends across the world, and in many ways made public life – the commons and the global village – the vast palette from which he assembled his creations, even though he no doubt needed long stretches of private, focused time to bring them to life.

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Update II: CHRIS MARKER L’HOMME MONDE

The current presentation on the Actes Sud site gives the title of the catalog (and the exhibition) as Chris Marker: l’homme monde:

L’exposition “Chris Marker, l’homme monde”, organisée l’année des célébrations du cinquantième anniversaire de Mai 68, s’accompagne de l’édition d’un ouvrage de référence, pour lequel ont été conviés les plus grands spécialistes de l’œuvre de l’artiste. Les trente essais qui composent cet imposant volume dévoilent les différentes facettes de la personnalité de cet homme qui fut tour à tour résistant, écrivain, cinéaste, amateur d’art, voyageur, photographe, éditeur, monteur… Répartie en neuf chapitres, l’iconographie riche et dense fait la part belle aux archives des collections de la Cinémathèque française, dont certaines inédites. L’ouvrage se donne ainsi l’ambition de plonger dans l’intimité de Marker pour permettre d’en saisir toute la contemporanéité du projet intellectuel et artistique, la curiosité et l’acuité du regard sur la situation de notre monde actuel, la générosité politique et l’exigence éthique. En outre, l’œuvre de Chris Marker a eu un impact considérable et fut une source d’inspiration pour nombre d’intellectuels, de créateurs, de réalisateurs et de passionnés du cinéma.
Actes Sud

Chris Marker L'Homme Monde catalog Actes Sud

The exhibition “Chris Marker, the world man”, organized the year of the celebrations of the fiftieth anniversary of May 68, is accompanied by the edition of a reference work, for which were invited the greatest specialists on the work of the artist. The thirty essays that compose this imposing volume unveil the various facets of the personality of this man who was in turn ‘resistant’, writer, filmmaker, amateur artist, traveler, photographer, book editor, film editor… Distributed in nine chapters, the rich, dense iconography is the pride of the archives in the collections of the Cinémathèque française, some unpublished. The book thus aims to plunge into the intimacy of Marker, in order to fully grasp the contemporaneity of his intellectual and artistic project, the curiosity and acuteness of his view of the situation of our current world, his poetic generosity and ethical imperative. In addition, the work of Chris Marker has had a considerable impact and was a source of inspiration for many intellectuals, creators, directors and film enthusiasts.
Actes Sud

Ghost Cat: Postcards + Exhibitions

cm-postcard-cimitiere-chat

Card 5 of 15
Roma, 1956

Chris Marker, Image from Staring Back
May 12-August 12, 2007
Exhibition organized by the Wexner Center for the Arts, the Ohio State University

FYI, there are two postcard sets by Chris Marker that I know of. This set is from Wexner and is, I believe, out of print.

The other is Chris Marker, How a grinning cat visits the HISTORY OF ART, 10 Postcards, Peter Blum Editions. This production, to my knowledge, is also no longer available. I’ll see if I can get them into a gallery here soon, as they are replete with classic Markerian wit and digital détournement.

While the cards are not to be found on the Peter Blum site (peterblumgallery.com), it is well worth exploring the whole Chris Marker section, which includes Images, Exhibitions, Books, Press and Biography pages – the last containing a filmography, bibliographies, exhibition lists and more. The Biography section includes an exhaustive listing of Chris Marker exhibitions that I have yet to see appear on traditional filmographies or bibliographies:

SELECTED SOLO EXHIBITIONS

2014

“Koreans”, Peter Blum Gallery, New York

“Crow’s Eye View: the Korean Peninsula”, Korean Pavilion, Giardini di Castello, Venice, Italy

“Chris Marker: A Grin Without a Cat”, Whitechapel Gallery, London, England; Kunstnernes Hus, Oslo, October 21, 2014 – January 11, 2015; Lunds Konsthall, Lund, February 7 – April 5, 2015

“The Hollow Men,” City Gallery Wellington, Wellington, New Zealand

2013

“Chris Marker: Guillaume-en-Égypte”, MIT List Visual Arts Center, Cambridge, MA & the Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA

“Memory of a Certain Time”, ScotiaBank, Toronto, Canada

“Chris Marker”, Atelier Hermès, Seoul, South Korea

The “Planète Marker”, Centre de Pompidou, Paris

2012

“Chris Marker: Films and Photos”, Moscow Photobiennale, Moscow, Russia

2011

“PASSENGERS”, Peter Blum Gallery Chelsea / Peter Blum Gallery Soho, New York, New York

Les Rencontres d’Arles de la Photographie, Arles, France

“PASSENGERS”, Centre de la Photographie, Geneva, Switzerland

Thinking Hands, Beijing, China

2009

“Quelle heure est-elle?”, Peter Blum Gallery Chelsea, New York, New York

“Second Life” (May 16 a one night event), Harvard Film Archive, Cambridge, Massachusetts

“Chris Marker: Par quatre chemins”, Beirut Art Center, Lebanon

2008

“Abschied vom Kino / Farewell to Movies”, Museum fur Gegenwartkunst, Zurich, Switzerland

“Abschied vom Kino / A Farewell to Movies”, virtual museum, Second Life

Un Choix de Photographies, Galerie de France, Paris, France

2007

“Staring Back,” Peter Blum Gallery, New York, New York

“Staring Back”, Wexner Center for the Arts, Ohio State University, Columbus, Ohio

“The Case of the Grinning Cat”, Film Forum, New York, New York

“Owls at Noon Prelude: The Hollow Men”, Institute of Modern Art, Brisbane, Australia

2006

“The Hollow Men,” Dazibao Centre de Photographies Actuelles, Montreal, Canada

“The Hollow Men”,Prefix Institute of Contemporary Art, Toronto, Canada

2005

“Owls at Noon Prelude: The Hollow Men”, The Museum of Modern Art, New York, New York

“Through the Eyes of Chris Marker”, Hong Kong Arts Centre, Hong Kong, China

“Through the Eyes of Chris Marker”, Macao Cultural Centre, Macao, China

2003

“Rare Videos by Chris Marker,” Anthology Film Archives, New York, New York

2002

“Chris Marker”, The Douglas Hyde Gallery, Trinity College, Dublin, Ireland

1999

“Silent Movie and Selected Screenings”,Beaconsfield, London, England

“Chris Marker”, Centro Andaluz de Arte Contemporáneo, Seville, Spain

“Chris Marker”, Fundació Antoni Tàpies, Barcelona, Spain

1997

“Immemory One,” Centre Georges Pompidou, Paris, France

1996

“Silent Movie,” Walker Art Center, Minneapolis, Minnesota

1995

“Silent Movie”, Wexner Center for the Arts, Ohio State University, Columbus, Ohio

“Silent Movie”, The Museum of Modern Art, New York, New York

“Silent Movie”, Pacific Film Archive, Berkeley, California

Peter Blum Gallery, Chris Marker, Exhibitions – Download PDF

Pompidou Planète Marker Video Archive

It’s been a great pleasure, having been unable to attend the Centre Pompidou’s 2013 Chris Marker exhibition and retrospective, to witness the appearance on Daily Motion of videos of the talks that were held, as well as a wonderfully edited overall / intro video that emerges us in Marker’s visual world. While a longer post is in progress on the series and the practice of video archiving, I did want to present the intro video first, as a kind of teaser and work of art unto itself.

Planète Marker – du 16 octobre 2013 au 22 décembre 2013

Par Raymond Bellour, écrivain et théoricien de cinéma.
Le Centre Pompidou et la Bibliothèque publique d’information (Bpi) rendent hommage à Chris Marker, à travers ses films bien sûr mais aussi en suivant la piste de ses inspirations, de ses amitiés et de ses rencontres… Au coeur de ce voyage, l’exposition de ses installations et des oeuvres multimédias rassemblées dans la collection du Centre Pompidou, ses films et vidéos et un salon de lecture à la Bpi.dailymotion.com/video | Centre Pompidou channel

Chris Marker Exhibition Opens in Oslo

Chris Marker TBD

Kunstnernes Hus Chris Marker Exhibition

Chris Marker: A Grin Without a Cat

31 October 2014 – 11 January 2015

Opening Friday, 31 October 2014, 7pm.

Opening speech by Christine Van Assche, Curator at Large at Centre Pompidou, Paris, and Artistic Director, Mats Stjernstedt

Guided tour in the exhibition on Saturday, 1 November, 2 pm, by Christine Van Assche and Mats Stjernstedt

Kunstnernes Hus presents the first Scandinavian retrospective of visionary French filmmaker, photographer, writer and multimedia artist Chris Marker (1921 – 2012). His films lace realism with science fiction and lyricism with politics. Changing his name, declining to be photographed or interviewed, Marker is both enigma and legend. His influence extends across art, experimental film and mainstream cinema.

Marker is widely acknowledged as the finest exponent of the essay film and is known as the director of over 60 films, including Sans soleil (Sunless, 1983) and A Grin Without a Cat (Le Fond de l’air est rouge, 1977). His most celebrated work La Jetée (The Pier, 1962) imagines a Paris devastated by nuclear catastrophe and is composed almost entirely of black-and-white still photographs, which informed the narrative of Terry Gilliam’s 12 Monkeys (1995).

Marker was an inveterate traveler – his camera was his eye. His astonishing range of images can encompass a temple in Tokyo devoted to cats, to frozen flowers in a Siberian science station. Marker pictures our cultural rituals, ancient and modern – visiting a shrine, playing videogames, protesting on the streets. He splices his images with found footage, including fragments of movies, cartoons, ads, and news reels. Musical scores are interwoven with the noises of everyday life; haunting commentaries are narrated as if from the future, meditating on history and memory.

Darkness also underlines Marker’s portrayal of planetary cultures – memories of war ravaged France, the brutalities of colonialism, the failures of revolution.

A Grin Without a Cat is co-curated by Christine Van Assche, Curator at Large, Centre Pompidou, Paris, writer and film critic Chris Darke, and Magnus af Petersens, Curator at Large, Whitechapel Gallery/Curator, Moderna Museet. The exhibition tours to Lund Konsthall in 2015.

The exhibition is organized by Whitechapel Gallery.
Kunstnernes Hus

Kunsternes Hus

Kunstnernes Hus er en av Norges vakreste bygninger og et av de tidligste eksempel på norsk funksjonalisme. Huset har en spennende historie som et sentralt visningssted for norsk og internasjonal samtidskunst. Foruten faste utstillinger og en flott matservering med utsikt over Slottsparken kan vi tilby ulike arrangement både på dag- og kveldstid.

The Kunsternes Hus (Artists’ House) is one of Norway’s most beautiful buildings, and one of the earliest example of Norwegian functionalism. The House has an interesting history as a central viewing place for Norwegian and international contemporary art. In addition to permanent exhibitions and great on-site dining facilities with views of the Palace Gardens, we can offer various events both on the day and evening time.