Chris Marker Notes from the Era of Imperfect Memory

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Hillary Radner & Alistair Fox publish Raymond Bellour: Cinema and the Moving Image

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Book on Raymond Bellour film theory

Raymond Bellour, while one of the most influential early theorists of cinema and the moving image, remains less well known among contemporary film scholars than he should be, even though he has exerted a formative influence on the field at large. One reason for this neglect is that his work is scattered across a myriad of essays published in French, the majority of which have not been translated into English.

Nadine Bolkovac Reviews Chris Darke’s La Jetée

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La Jetée Book by Chris Darke

The Archive, Darke relates, homes two treasures: the film’s twin – an alternative version of La Jetée – and a workbook ‘containing an editing plan and a collection of correspondence between Marker and Jacques Ledoux, the former director of the Film Archive’ (13), both of which served as principal displays in Chris Marker: A Grin Without a Cat, the Whitechapel Gallery installation that Darke co-curated in London with Christine van Assche and Magnus Af Petersens...

CinémAction n°165 – Chris Marker : pionnier et novateur

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CinémAction – Chris Marker: pionnier et novateur Thanks to Chris Darke for alerting us to this new publication with some familiar names contributing articles to CinémAction 165: Chris Marker: pionnier et novateure. L’interactivité filmique, initiée de manière radicale dès 1950, permet d’appréhender une démarche polyphonique qui n’a cessé de montrer et commenter l’histoire du XXe siècle. Ciné-voyageur, Chris Marker reste, de fait...

Le Coeur net + The Forthright Spirit

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Le Coeur Net by Chris Marker Thanks to John H. for the gift of this PDF scan of the French original of Marker’s early novel Le Coeur net, published  in 1950 when Marker was 29 or so. We append to it the English translation from the following year. Chris Marker, Le Coeur Net, Paris: Editions du Seuil, 1950. Préface de Jean Cayrol. Chris Marker, The Forthright Spirit, trans. Robert Kee and Terence Kilmartin, London: Allan Wingate, 1951. Here’s how it...

Another Villeneuve

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L’essai proposé ici se prend au jeu de la compagnie des images. Il propose l’invention d’un aller-retour sur Chris Marker. Nous sommes à bord d’un train : les images défilent au rythme de la machine ; elles évoquent d’autres images, des pensées et des souvenirs. Disons, par utopisme, que l’on dispose à volonté de toutes les images de Marker et de leurs commentaires – chose apparemment utopique tant le cinéaste lui-même a contribué à la difficulté de les rassembler...

Colin MacCabe Visits the Atelier

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Visiting rue Courat Colin MacCabe It was early 2002 and people still used answering machines rather than mobile phones. The recording clicked in and an extraordinary voice that sounded as if it had been mechanically produced asked the caller to leave a message “if you have something interesting or amusing to say”. I was already nervous that I was cold calling Chris Marker, legendary recluse and indeed general artistic legend. My anxiety intensified and I started to...

Ricardo Greene, Iván Pinto Publish La Zona Marker

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I received an email from Ricardo Greene with news of a new, important book on Chris Marker in Spanish: La Zona Marker.  The book is published by Ediciones FIDOCS (Culdoc series) in Santiago, Chile. It presents a collection of essays by Ricardo Green, Iván Pinto, Patricio Guzmán (“Lo que debo a Chris Marker”), Trevor Stark, Carolina Anaral de Aguiar, Chris Marker himself (“El ùltimo bolchevique”), Maria Paz Peirano, Maria Luisa Ortega...

Chris Darke Publishes La Jetée

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Chris Darke is coming out with a new book on La Jetée and has arranged for chrismarker.org to publish the first chapter. Many thanks to Chris and to the British Film Institute! It’s an honor to get a sneak peak at this important, extremely perceptive take on Chris Marker’s most famous creation. Please click below to read the chapter. If you wish, you can order your copy at amazon.uk. Also now available at amazon.com. La Jetée by Chris Darke, BFI...

Chris Marker Notes from the Era of Imperfect Memory

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