Chris Marker Notes from the Era of Imperfect Memory

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Marina Vlady: Chris Marker, Tarkovsky et L’amitié

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Exposition Chris Marker – Marina Vlady from La Cinémathèque française on Vimeo. « Chris Marker aimait beaucoup les cinéastes russes, notamment Andreï Tarkovski, dont il était l’admirateur et l’ami, et qu’il a filmé chez moi, dans les derniers jours de sa vie. Il lui a d’ailleurs permis de finir son dernier film, Le Sacrifice : c’est lui qui a apporté toute la technique chez moi, pour que Tarkovski puisse finir le...

Robert Kramer, Point de départ / Starting Place

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RobertKramertributetoChrisMarker citation memory

“I wonder how people used to remember when they didn’t take pictures.” Take a look at the Marker-inspired Robert Kramer film, Point de départ, from 1993. “One day or other all these films that I’m making will make up a single long film, a story that is always developing.”Robert Kramer Starting Place | Point de DépartDirected by Robert KramerFrance 1993, 35mm, color, 83 min.English, French, and Vietnamese with English subtitlesIn...

Chris + Andrei

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Chris Marker at the funeral of Andrei Tarkovsky Chris Marker at the funeral of Andrei Arsenevich Tarkovsky. Les deux maîtres. It is au revoir not adieu, one may only hope. If rockstars can reunite in heaven, why not filmmakers? Imagine a film that combines the already fathomless treasures of La Jetée and Stalker… In a wonderful article on the Tate Museum site, Robert Bird rightly emphasizes the metaphysical (I would say spiritual) presence in both Tarkovsky’s...

One Day in the Life of Andrei Arsenevich by Chris Marker

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Chris Marker writes what is reproduced below in extreme modesty, given the depth of his film: its astute insights into Tarkovsky’s film language & signature motifs, its palpable emotional presence that embues the intimate family scenes, his empathetic camera and commentary. He is not an outsider here; he is family too in Tarkovsky’s largesse as Marker captures a home movie of the reunion of Andrei Arsenevich’s family after five years of...

André Bazin on Chris Marker (1958)

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Trans. Dave Kehr, © Cahiers du Cinéma, published in Film Comment, 2003. Chris Marker, as you may remember, wrote the narration for Bibliothèque Nationale (Toute la mémoire du monde) and Statues Also Die (which the public still has only been able to see in a version cut to half its length by the censorship board). These incisive, powerful texts, in which cutting irony plays hide and seek with poetry, would be enough to secure their author a privileged place in the...

Johan van der Keuken on Free Composition

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An excellent article on Johan van der Keuken’s The White Castle has been published on sabzian.be. The author is Gerard-Jan Claes, and the article In Search of the White Castle. Claes writes: Rather than talking about film as a language, van der Keuken understands it as a condition, an état or a state of being, as something which defies easy definition and which can rather be approached in terms of becoming and movement. It’s a space of experience, a way of...

Jim Jarmusch Met Chris Marker

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Jim Jarmusch From: truthandmovies.tumblr.com There were a lot of things that I couldn’t fit into my recent interview with Jim Jarmusch (which you can read at The Guardian). This is one of them.“I had a great chance to meet Chris Marker, once. I got to go outside of Paris, he was in a little editing room in it, I think? And this guy Anatole Dauman was a big producer, and he said ‘I pay for Chris to have this little editing room, would you like to go visit him, he...

Chris Marker Notes from the Era of Imperfect Memory

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