Chris Marker Notes from the Era of Imperfect Memory

CategoryBooks

Dreamtime Zone Library — CM Livres

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A Wunderkammer gallery of books by, on or adjacent to Chris Marker. As Bellour has said, Marker was as much an écrivain as a regisseur., and he has inspired much additional writing. From Le Coeur net to Passengers, from A Farewell to Movies to Owls at Noon, from Petite Planète to ZOO, from le livre impossible to Untimely Affects, from Maspero to Bellour, from Gautier to Keeney, from Darke to Lambert, from Susan Howe to Mars, from Montaigne to Morel...

Hillary Radner & Alistair Fox publish Raymond Bellour: Cinema and the Moving Image

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Raymond Bellour, while one of the most influential early theorists of cinema and the moving image, remains less well known among contemporary film scholars than he should be, even though he has exerted a formative influence on the field at large. One reason for this neglect is that his work is scattered across a myriad of essays published in French, the majority of which have not been translated into English.

Nadine Bolkovac Reviews Chris Darke’s La Jetée

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The Archive, Darke relates, homes two treasures: the film’s twin – an alternative version of La Jetée – and a workbook ‘containing an editing plan and a collection of correspondence between Marker and Jacques Ledoux, the former director of the Film Archive’ (13), both of which served as principal displays in Chris Marker: A Grin Without a Cat, the Whitechapel Gallery installation that Darke co-curated in London with Christine van Assche and Magnus Af Petersens...

CinémAction n°165 – Chris Marker : pionnier et novateur

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CinémAction – Chris Marker: pionnier et novateur CinémAction: Chris Marker Issue Thanks to Chris Darke for alerting us to this new publication with some familiar names contributing articles to CinémAction 165: Chris Marker: pionnier et novateur. This edition of CinémAction is edited by Kristian Feigelson. Feigelson is also the author of La fabrique filmique: Métiers et professions (Armand Colin, 2011), a key work of...

Le Coeur net + The Forthright Spirit

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Le Coeur Net by Chris Marker Thanks to John H. for the gift of this PDF scan of the French original of Marker’s early novel Le Coeur net, published  in 1950 when Marker was 29 or so. We append to it the English translation from the following year. Chris Marker, Le Coeur Net, Paris: Editions du Seuil, 1950. Préface de Jean Cayrol. Chris Marker, The Forthright Spirit, trans. Robert Kee and Terence Kilmartin, London: Allan Wingate, 1951. Here’s how it...

Another Villeneuve

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L’essai proposé ici se prend au jeu de la compagnie des images. Il propose l’invention d’un aller-retour sur Chris Marker. Nous sommes à bord d’un train : les images défilent au rythme de la machine ; elles évoquent d’autres images, des pensées et des souvenirs. Disons, par utopisme, que l’on dispose à volonté de toutes les images de Marker et de leurs commentaires – chose apparemment utopique tant le cinéaste lui-même a contribué à la difficulté de les rassembler...

Colin MacCabe Visits the Atelier

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Visiting rue Courat Colin MacCabe It was early 2002 and people still used answering machines rather than mobile phones. The recording clicked in and an extraordinary voice that sounded as if it had been mechanically produced asked the caller to leave a message “if you have something interesting or amusing to say”. I was already nervous that I was cold calling Chris Marker, legendary recluse and indeed general artistic legend. My anxiety intensified and I started to...

Ricardo Greene, Iván Pinto Publish La Zona Marker

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I received an email from Ricardo Greene with news of a new, important book on Chris Marker in Spanish: La Zona Marker.  The book is published by Ediciones FIDOCS (Culdoc series) in Santiago, Chile. It presents a collection of essays by Ricardo Green, Iván Pinto, Patricio Guzmán (“Lo que debo a Chris Marker”), Trevor Stark, Carolina Anaral de Aguiar, Chris Marker himself (“El ùltimo bolchevique”), Maria Paz Peirano, Maria Luisa Ortega...

Chris Marker Notes from the Era of Imperfect Memory

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