Last Updated on January 16, 2021 by bricoleur
Appreciations of Chris Marker
Source: www.huffingtonpost.com, 2012
Chris Marker by Jean-Michel Folon, 1972 via Monika Dac
“[La Jetee] was very possibly the greatest science-fiction movie yet made.”
Critic Pauline Kael
A political leftist free of didacticism, his works roam the world with curiosity, wit, and a poet's nose for injustice.
Ty Burr, Boston.com‘s Movie Nation
His sprawling and constantly evolving body of work…was at once fragmentary and cohesive, united by an abiding interest in the nature of time and memory and by a strong physical and intellectual wanderlust.
Dennis Lim, The New York Times
I cannot be sure whether I can separate out various memories of watching the film, because what binds them all is a gasp, a collective bodily intake of breath in every auditorium and theater and lecture hall, when a woman on the screen opens her eyes, looks at us and blinks, when the film slips from still images to a brief sequence of movement. It is a gasp close to an experience of the erotic or the religious or possibly both.”
Janet Harbord, author of Chris Marker: La Jetee
Marker's creative use of sound, images and text in his poetic, political and philosophical documentaries made him one of the most inventive of film-makers.
Ronald Bergan, The Guardian
Exploring themes of memory, time, and history, Marker’s time-travel tale is loved for its ability to effortlessly combine poetry and philosophy with science fiction; two seemingly oppositional themes that marry in many of Marker’s other films.
Leighann Morris, Art Fag City
…He left on the history of cinema, and on history as such, a mark more enduring and decisive than that of mere personality. He made his own conscience, of the cinema as the living embodiment of history, into the conscience of his time – and, now that he’s not here, of future times already.
Richard Brody, The New Yorker
There are great filmmakers and then there are filmmakers whose work is so singular that it changes the way we look at the medium. French New Wave semi-experimental director Chris Marker falls into the latter category.
Scott Tobias, AV Club
He was one of the first documentary-essayists who could make seemingly casual personal musings the subject of his movies. But what musings! “Sans Soleil” is but one example of his brilliance, originality, humor, and humanity. A great light has gone out.
Karen Cooper, director of Film Forum
The principal theme of “La Jetée” is the inability to escape time, and so there is, sadly, perhaps no more fitting occasion to watch “La Jetée” than today.
Forrest Wickman, Slate
Chris Marker by Jean-Michel Folon