Happy Birthday Tom Luddy

Tom LuddyHappy Birthday Tom LuddyHappy Birthday wishes go out today to Tom Luddy, longtime Chris Marker friend, director of the Telluride Film Festival, longtime director of the Pacific Film Archive, and a man well worth knowing. Tom’s been a trusted supporter of this site, and has helped answer many questions – my own and others’ – on Marker’s films. When I first met Tom, he let me sit in Sean Penn’s office to view some Marker VHS tapes. I was dumbstruck. I was happy. As we walked to North Beach in San Francisco to find the best espresso ever, he talked of ‘Chris’, of Sans Soleil, of Junkopia, of Tarkovsky, of beings I perhaps did not believe really existed, much less had friendships and drank coffee, slept and got up the next morning. He handed me one of the first books on Chris Marker, a gift. Marker had no use for it, as a small note inside stated. Tom also introduced me to Dorna K., for which I am also eternally grateful – another masterful being. They are real. They have birthdays. A happy one to you Tom!

Here’s an interesting trace of Marker and Luddy.

As you probably know Chris did not make public appearances as a rule, and tried to prevent anyone taking a picture of him too. We were friends and I had also assisted him on three films: “San Soleil,” “The Owl’s Legacy” and “Junktopia.”

I persuaded him to come to Telluride… this was l987. We showed “La Jetee” and “San Soleil.” He would not appear before or after the film inside the theatre — The Sheridan Opera House — but I was allowed to tell the audience that he would be outside on the grass after the film and people could speak to him informally and this happened then, and throughout the weekend with people walking up to him for a chat. Even though he said NO PICTURES, someone did take this picture surreptitiously.Tom Luddy

Telluride Chris Marker at invitation of Tom Luddy

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A Grin Without a Cat – Whitechapel Catalogue Arrives

The Whitechapel catalogue has arrived. It is a wonderful work of art and scholarship. For now, here is a scan of the cover along with the table of contents, plus a pdf of front and back covers and a link to Whitechapel’s shop.

Chris Marker, A Grin Without a Cat, Whitechapel Catalogue

Table of Contents

  • Forward by Magnus af Petersens and Iwona Blazwick
  • Chris Marker, the Time of the World by Christine Van Assche
  • Statues Also Die: THE MUSEUM
  • Petite Planète: TRAVELOGUES
  • At the Sign of the Black Cat by Chris Darke
  • Memories of Things to Come: THE FUTURE-PAST OF FILM
  • La Jetée by Nicola Mazzanti
  • Marker Forever by Raymond Bellour
  • Image (journey) by Arnaud Lambert
  • When the Century Took Shape: WAR AND REVOLUTION
  • Quand le siècle a pris formes by Christine Van Assche
  • Orphée by Chris Marker
  • Till The End of Time by Chris Marker
  • List of works
  • Filmography, multimedia and installations, bibliography, exhibitions
  • Acknowledgements

You can download a pdf of both front and back covers.

For purchase information, you can access the Whitechapel online store.

Marker worked as a journalist, essayist and editor before becoming a filmmaker as part of the so-called Nouvelle Vague (New Wave) in the late 1950s. He is often given credit for renewing cinema, not least for his innovations in the genre of the ‘essay-film’, a hybrid of documentary and personal reflection and the style in which he became an acknowledged master. Such hybridity and restless crossing between media and forms were emblematic for Marker. His work is poetic and humorous, analytical, political and philosophical, a reflection of the complexity of the world. This exhibition shows him as a multifaceted artist and intellectual, working as an editor, writer, filmmaker, photographer and pioneer of new media and installation art. In many ways it is his way of working – as much as the result of that work – that has been such an inspiration to younger generations of artists.Magnus af Petersens, Curator at Large Iwona Blazwick, Director

Clicquez ici at Claire de Rouen Books

Cliquez ici – an illustrated journey through the pages of Chris Marker

Chris Marker Harem

Claire de Rouen Books, First Floor
125 Charing Cross Road, London WC2H OEW
Friday 30 May, 6-9pm

Chris Darke will talk on the significance of the book format for the French filmmaker’s methodology. He’ll look especially at Petite Planète, the series of travel books that Marker edited from the 1950s to the early 1960s.

Featuring: the printed page, sound, projection, still and moving image… and wine.

Chris Marker in Siberia

This event has been organised by Lucy Moore with Richard Bevan, Tamsin Clark and Chris Darke.

Texts on Petite Planète by Tamsin Clark and Lucy Moore can be viewed on the ICA’s blog (Institute of Contemporary Arts, a supporter of ‘radical art and culture’*).

A rare complete set of the books will be offered for sale at Room&Book, a new art book fair for London. It will be on view at the bookshop from 30 May – 3 June.

http://www.clairederouenbooks.com

In 1954 the 33 year old filmmaker had been hired as an editor by Parisian publishing house Editions de Seuil, known for its radical titles, including Chairman Mao’s Little Red Book and Frantz Fanon’s doctorial thesis Black Skin, White Masks. At Seuil, Marker was given free rein, devising and directing a collection of 31 travel books with the title Petite Planète. His aspiration for the series was to avoid the propaganda familiar to the guidebook genre, imagining instead the intimacy of his film script style, or a ‘conversation with an individual who is well informed about the country in question’.

Marker’s cinematographic eye focused attentively on book design and layout, creating dynamic relationships between images, with photographs of street life and people at work given equal attention to those of eminent historical figures. This surprising use of imagery and montage brought a sense of movement and momentum to the book form that Marker would eventually employ as a simple way to orchestrate a film.
Tasmin Clarke

Thanks to Tasmin Clarke

About Claire de Rouen Books

Claire de Rouen Books is the only specialist photography and fashion bookshop in London.

We stock photobooks, fashion monographs, micropublishing, rare, signed and limited edition books, international magazines, lookbooks and artist publications. We sell unique prints and limited editions – currently these include a Polaroid of Andy Warhol taken in 1986 and a Hiroshi Sugimoto Theatre print.

Claire de Rouen was the original director of the bookshop. Born in Alexandria in the early 1930s, she moved to London in her twenties, where she studied art and also modelled.www.clairederouenbooks.com

About the ICA

The ICA was one of the first venues to present The Clash and The Smiths, as well as bands such as Throbbing Gristle. The inaugural ICA / LUX Biennial of Moving Images was launched in 2012, and the ICA Cinema continues to screen rare artists’ film, support independent releases and partner with leading film festivals. ica.org.uk

Room and Book

Bellour Marker Forever

Chris Marker Second Life

“I was 22 when my friend Jean Michaud and I imprudently imagined an ‘Apology for Chris Marker’ on the model offered by Plato. I was 24 when, on the spiral staircase leading to, among other things, the ‘Petite Planète’ office at Éditions du Seuil, Marker pleaded with me – the word that comes is too strong but I can find no other – or asked me not to write a little book on his films, which already constituted an oeuvre, for the ‘Cinéastes d’aujourd’hui’ series, in its early days at the times. I had been asked to do so by Pierre Lherminier, following one I had written on Alexandre Astruc. It was just after La Jetée (hailed in the last issue of Artsept, our Lyon-based journal, where Marker had been a permanent guest). Of course I have not written the book, nor any other on Marker. May these few pages stand in their stead, following so many writings over the years, written for a living man, with respect, admiration and friendship across distance.”
Raymond Bellour, “Marker Forever”, Cat Without a Grin (Whitechapel catalogue), p. 74.

80:81 Chris Marker in Conversation

I’ve added a rare Chris Marker interview with Colin Maccabe to the site. You can find it under pages as 80:81 Chris Marker Speaks with Colin Maccabe. In this talk, Marker discusses his travels to Japan and Guinea-Bissau, his filming of what would become Sans Soleil, the transition of eras from Le fond de l’air est rouge to Sans Soleil, and the four language versions of the latter.

We get a glimpse of the four year time-frame that encompasses the work on Sans Soleil, and its crucial moment of clarity when Marker put the narrative commentary into the past tense, allowing the film to take on the singular quality that we know but still seek to understand.

Sans Soleil brochure cover

Cover of original brochure for Sans Soleil, courtesy Pacific Film Archive

Not Long Enough

Found this photograph taken at the Whitechapel exhibition on Twitter, by @rockmother.

Chris Marker on Photographs Quotation

I STARE at them, but not long enough, not long enough. There is a beautiful poem by Valery Larbaud, who evokes four young women he caught a glimpse of during his journeys, and he laments not being able to reach them now. "For, I don’t know why, it seems to me that with them I could conquer a world." There is something of that megalomaniac melancholy in the browsing of past images. Perhaps, if I could catch up with the absolute beauty in Cape Verde, the violinist in Stockholm lost in her thoughts, the grandmother in Corsica kissing the sacred stone, the exhausted Chinese laborer, the Japanese extra sleeping between two takes, the two Russian girls listening to poetry, the young woman dozing in the train, and the old man with his paper toys, perhaps I could conquer a world. Or rather, they would conquer a world for me.
Chris Marker