Chris Marker Bibliography: Secondary Sources

Almereyda, Michael. “Deciphering the Future.” Film Comment (May/June 2003), 36-7.

Alter, Nora M. Chris Marker. Urbana and Chicago: University of Illinois Press, 2006. Contemporary Film Directors.

Alter, Nora M. “Landscapes of Ice, Wind and Snow: Snow, Ice and Wind: Alexander Kluge’s Aesthetics of Coldness,” co-written with Lutz Koepnick and Richard Langston, Grey Room 73, Fall 2013, 61-87.

Alter, Nora M. “The German Essay Film.” Genres in German Film. Ed. Jaimey Fisher. Camden House, 2013, 59-70.

Alter, Nora M. “Composing in Fragments: Music in the Essay Films of Resnais and Godard.” Substance, #128, Vol. 41, no. 2, 2012, 24-39. Ed. Steven Ungar.

Alter, Nora M. “Translating the Essay Film into Film and Installation.” Journal of Visual Culture, 6:1 (April 2007), 45-58.

Anon. “‘Marker, Chris.’ (Christian François Bouche-Villeneuve).” World Film Directors, v. II: 1945-1985. Ed. John Wakeman. New York: H.W. Wilson Co., 1988.

Anon. “Si j’avais 4 dromedaires. La Solitude du chanteur de fond.” L’Avant-Scène Cinéma (March 1975).

Armes, Roy. The Ambiguous Image: Narrative Style in Modern European Cinema. Bloomington: Indiana Univ. Press, 1976.

Armes, Roy. French Cinema Since 1946, v. 2. London: A.S. Barnes, 1970.

Arthur, Paul. “Kino-Eye.” Film Comment (July/August 2003).

Beilenhoff, Wolfgang. “Licht — Bild — Gedächtnis.” In Anselm Haverkamp and Renate Lachmann, ed., Gedächtniskunst: Raum — Bild — Schrift: Studien zur Mnemotechnik. Frankfurt: Suhrkamp, 1991.

Bellour, Raymond. “The Film Stilled.” Camera obscura 24 (Sept. 1990).

Bellour, Raymond. L’Entre-Images. Photo. Cinéma. Vidéo. Paris: La Différence, 1990.

Bellour, Raymond. L’Entre-Images 2: Mots, Images. Paris: P.O.L, 1999.

Bellour, Raymond. Le Corps du Cinéma: hypnoses, émotions, animalités. Paris: P.O.L., 2009.

Bellour, Raymond and Jean Michaud, “Apologie de Chris Marker/Signes”. Cinéma, 57 (6 January 1961), 33-47 and 155-7.

Bellour, Raymond. “Chris Marker and Level Five“, screeningthepast.com (Dec. 2013, orig. 2009). www.screeningthepast.com/2013/12/…

Bellour, Raymond. “Chris Marker Forever”. Chris Marker: Cat Without a Grin. London: Whitechapel Galllery, 2014, 70-74.

Bensmaïa, Reda. “From the Photogram to the Pictogram: On Chris Marker’s La Jetée.” Camera obscura 24 (Sept. 1990), 138-161.

Blümlinger, Christa. “The Imaginary in the Documentary Image: Chris Marker’s Level Five.” Image [&] Narrative, Vol. 11 No. 1 (2010).
http://www.imageandnarrative.be/…

Blümlinger, Christa und Constantin Wulff, hrsg. Schreiben Bilder Sprechen: Texte zum essayistischen Film. Wien: Sonderzahl, 1992.

Boljkovac, Nadine. “Mad Love.” [An exploration of La Jetée.] Gilles Deleuze: Image and Text, ed. Eugene W. Holland, Daniel W. Smith & Charles J. Stivale. London: Continuum International, 2009, 124-42.

Boljkovac, Nadine. “Signs Without Name.” [An exploration of Sans Soleil.] Deleuze Studies 5.2 (July 2011), 209–240.

Boljkovac, Nadine. Untimely Affects: Gilles Deleuze and The Ethics of Cinema. Edinburgh: Edinburgh University Press [Plateaus – New Directions in Deleuze Studies series], 2012. [An extension of Boljkovac, Nadine. Untimely Affects: Violence and Sensation through Marker and Resnais. (PhD Dissertation, University of Cambridge, 2010).]

Burch, Noel. “Four Recent French Documentaries.” Film Quarterly XIII/1 (Fall 1959), 56-61.

Cameron, Ian. “‘I am writing to you from a far country…'” Movie 3 (Oct. 1962), 14.

Cayrol, Jean. “Chris Marker, ou La Premiére Chance.” Esprit 18/9 (Sept. 1950), 405-408.

Cayrol, Jean. “Le Jeu de la vérité.” Le Droit du regard. Paris: Éditions du Seuil, 1963.

Chaiken, Michael and Sam Diiorio. “Printed Matter: The Author Behind the Auteur.” Film Comment (July/August 2003).

Cooper, Sarah. Chris Marker. Manchester: Manchester Univ. Press [French Film Directors series], 2010.

Cooper, Sarah. “Montage, Militancy, Metaphysics: Chris Marker and André Bazin.” Image [&] Narrative, Vol 11 No. 1 (2010).
http://www.imageandnarrative.be/…

Corrigan, Timothy. The Essay Film: From Montaigne, After Marker. Oxford: Oxford University Press, 2011.

Darke, Chris. “Chris Marker: The Invisible Man”. Film Comment, www.filmcomment.com/…

Darke, Chris. “Eyesight: Chris Darke Unearths Marker’s ‘Lost Works’.” Film Comment (May/June 2003), 48-50.

Dauman, Anatole. Souvenir-écran. Paris: Centre Georges Pompidou, 1989.

de Groof, Matthias. “Statues Also Die – But Their Death is not the Final Word.” Image [&] Narrative, Vol. 11 No. 1 (2010).
http://www.imageandnarrative.be/…

Debray, Régis. “Le fond de l’air est rouge, l’apprentissage de notre génération.” Images Documentaires, Vol. 15 (4e trimestre 1993), 39-40.

Diiorio, Sam. “The Truth About Paris: Reconsidering Le Joli mai‘s Investigation of French Social Attitudes in the Early Sixties.” Film Comment (May/June 2003), 46-47.

Douhaire, Samuel and Annick Rivoire. “Marker Direct: A Rare Interview with One of Cinema’s Most Secretive Directors.” [orig. Libération, March 5, 2003]. Film Comment (May/June 2003), 38-41.

Dreyer, Sylvain. “Autour de 1968, en France et ailleurs: Le fonds de l’air était rouge.” Image [&] Narrative, Vol. 11 No. 1 (2010).
http://www.imageandnarrative.be/…

Dubois, Philippe, ed. Théorème: Recherches sur Chris Marker. Paris: Presses de la Sorbonne nouvelle, 2002.

Egly, Max. “Varda-Resnais-Marker”, Image et Son, 128 (February 1960).

Filser, Barbara. Chris Marker und die Ungewissheit der Bilder. München: Wilhelm Fink Verlag, 2010.

Finnegan, Jesse P. “Site Specifics: Chris Marker and Second Life”. Film Comment, www.filmcomment.com…

Foster, David. “‘Thought-Images’ and Critical-Lyricisms: The Denkbild and Chris Marker’s Le Tombeau d’Alexandre.” Image [&] Narrative, Vol. 10 No. 3 (2009).
http://www.imageandnarrative.be/…

French, Sarah. “‘If they don’t see happiness in the picture at least they’ll see the black': Chris Marker’s Sans Soleil and the Lyotardian Sublime.” Image [&] Narrative, Vol. 11 No. 1 (2010).
http://www.imageandnarrative.be/…

Friedlander, Eli. “La Jetée: Regarding the Gaze,” boundary 2, Vol. 28, Issue 1 (Spring 2001), 75-86.

Gaggi, S. “Marker and Resnais: Myth and Reality.” Literature / Film Quarterly 1 (1979).

Garcia, Thibaut. “La mémoire en jeu vidéo dans Level Five (1996).” Image [&] Narrative, Vol. 10 No. 3 (2009).
http://www.imageandnarrative.be/…

Gauthier, Guy. Chris Marker, écrivain multimédia ou Voyage à travers les médias. Paris: L’Harmattan, 2001.

Gauthier, Guy. “Demarches de Chris Marker”, Image et Son, 247 (1974).

Geneix, Nicolas. “Micrologie de Chris Marker.” Image [&] Narrative, Vol. 10 No. 3 (2009).
http://www.imageandnarrative.be/…

Gibson, Ross. “What Do I Know?: Chris Marker and the Essayist Mode of Cinema.” Filmviews 134 (Summer 1988), 26-32.

Graham, Peter. “Cinéma-Vérité in France.” Film Quarterly 17/4 (Sumer 1964), 30-36.

Grelier, Robert. “A.K.: Le cinéma existe.” La Revue du Cinéma 407 (July-Aug. 1987), 8-9.

Habib, André et Viva Paci. Chris Marker et l’imprimerie du regard. Paris: Editions L’Harmattan, 2008.

Hampton, Howard. “Remembrance of Revolutions Past: Chris Marker’s Anatomies of Melancholy.” Film Comment (May/June, 2003), 33-35.

Harbord, Janet. Chris Marker: La Jetée. London: Afterall Books [One Work series], 2009.

Hennebelle, Guy. “Le Fond de l’air est rouge.” Ecran (Dec. 1977).

Hoberman, J. “Cat Power: Chris Marker and his feline friend document post-9/11 France”, The Village Voice, Vol. LI No. 51 (December 20-26, 2006), 70.

Hoberman, J. “Japant-Garde Japanorama.” Artforum (October 1985), 97-101.

Hoberman, J. “Postcard from the Edge: Marker’s Impressions of Israel.” Film Comment (July/August 2003).

Hohenberger, Eva and Judith Keilbach, hrsg. Die Gegenwart der Vergangenheit: Documentarfilm, Fernsehen und Geschichte. Berlin: Vorwerk 8, 2003.

Jacob, Gilles. “Chris Marker and the Mutants.” Sight and Sound (Autumn 1966), 164-168.

Jeancolas, Jean-Pierre. “Le monde, à la lettre.” Positif 263 (Jan. 1983), 3.

Kämper, Birgit und Thomas Tode, hrsg. Chris Marker: Filmessayist. L’Institute Français de Munich, CICIM, 1997.

Keeney, Gavin. Dossier Chris Marker: The Suffering Image. Newcastle upon Tyne: Cambridge Scholars, 2013.

Kha, Alexandre. L’Attrapeur d’images. Lyon: Éditions Tanabis, 2009.

Kramer, Sven and Thomas Tode, ed. Der Essayfilm: Asthetik und Aktualität. Konstanz: UVK, 2011.

Laborde, Barbara. “Avatars de l’Histoire, Warburg et Marker.” Image [&] Narrative, Vol. 10 No. 3 (2009).
http://www.imageandnarrative.be/…

Lambert, Arnaud. Also Known As Chris Marker. Point Jour [Le champ photographique], 2008.

Lambert, Arnaud. “Also known as Chris Marker.” éditions papiers – publications, soumis le 19/09/2008.
http://www.editionspapiers.org/publications/also-known-as-chris-marker

Lambert, Arnaud. “Trous noirs (à propos de Chris Marker).” L’Observatoire [blog] (2/1/2007).

Leconte, Bernard. Approche d’un film mythique: La Jétee, Chris Marker, 1962. Paris: Editions L’Harmattan, 2005.

Lee, Min. “Red Skies.” Film Comment (July/August 2003).

Legendre, Pierre. “Notification poétique du désir et de la mort.” Positif 263 (Jan. 1983), 4.

Liandrat-Guigues, Suzanne. “Un cinéma du territoire.” Image [&] Narrative, Vol. 10 No. 3 (2009).
http://www.imageandnarrative.be/…

Liandrat-Guigues, Suzanne et Murielle Gagnebin, eds. L’Essai et le cinéma. Seyssel: Éditions Champ Vallon, 2004.

Liem, Ronco Yaobing. “Chris Marker and ‘La Jetée.’ ” [Ed.D. Dissertation, Columbia University Teachers College]. Ann Arbor: University Microfilms, 1983.

Lupton, Catherine. Chris Marker: Memories of the Future. London: Reaktion Books, 2005.

Lupton, Catherine. “Chris Marker: Memory’s Apostle.” http://www.criterion.com/…e

Lupton, Catherine. “Shock of the Old: How the ‘Gentleman Amateur’ of the Digital Era Uses No-S0-New Media to Map the Workings of Human Memory.” Film Comment (May/June 2003), 42-45.

Lupton, Catherine. “Speaking Parts: Heteroglossic Voice-Over in the Essay-Film.” Der Essayfilm: Asthetik und Aktualität. Ed. Sven Kramer and Thomas Tode. Konstanz: UVK, 2011, 159-174.

Martin, Adrian and Raymond Bellour. Chris Marker: Owls At Noon Prelude: The Hollow Men. Brisbane, Australia: Institute of Modern Art, 2008.

Martin, Adrian. “Chris Marker: Notes in the Margin of His Time.” Film Comment, Vol. XXXIII No. 4 (Fall 2008), 6-9.

Martin, Adrian. “Crossing Chris: Some Markerian Affinities.” Image [&] Narrative, Vol. 11 No. 1 (2010).
http://www.imageandnarrative.be/…

Martin, Adrian. “Some Key Chris Marker Films on DVD (Plus Some Other Works and Resources).” Film Comment, Vol. XXXIII No.4 (Fall 2008), 10.

Martins, Susana S. “Petit Cinéma of the World or the Mysteries of Chris Marker.” Image [&] Narrative, Vol. 11 No. 1 (2010).
http://www.imageandnarrative.be/…

Möller, Olaf. “Ghost World: Japan Through the Looking Glass.” Film Comment (July/August 2003).

Muhle, Maria. “Aesthetic realism and subjectivation. From Chris Marker to the Medvedkin Groups.” Revue Appareil, No. 4 (2009).
http://revues.mshparisnord.org/appareil/index.php?id=920

Murray, Timothy. “Debased projection and cyberspatial ping: Chris Marker’s digital screen.” Parachute: Contemporary Art Magazine, No. 113 (Jan. 2004).

Murray, Timothy. “Wounds of Repetition in the Age of the Digital: Chris Marker’s Cinematic Ghosts,” Cultural Critique, 46 (Fall, 2000), 102-23.

Niney, François. “‘L’Héritage de la chouette.'” Images documentaires, Vol. 15 (4e trimestre 1993), 41-43.

Niney, François. “Le regard retourné, des ‘statues meurent aussi’ au ‘Tombeau d’Alexandre’.” Images documentaires, Vol. 15 (4e trimestre 1993), 29-37.

Niney, François, Emmanuel Burdeau et Thierry Méranger,eds. Sans Soleil: Chris Marker. Lycéens au Cinéma. Paris: CNC.
http://www.lyceensaucinema.org/pdf/SansSoleil.pdf

Ortega, Maria Luisa and Antonio Weinrichter. Mystére Marker: Pasajes en la obra de Chris Marker. T&B Editores/Digitalia [Kindle ed.], 2010.

Penley, Constance. “Time Travel, Primal Scene, and the Critical Dystopia (on The Terminator and La Jetée).” The Future of an Illusion: Film, Feminism, and Psychoanalysis. Minneapolis: Univ. of Minnesota Press, 1989, 121-139 [orig. published Camera Obscura 15 (Fall 1986)].

Porcile, François. “Chris. Marker, à la poursuite des signes du temps.” Images Documentaires, Vol. 15 (4e trimestre 1993), 15-18.

Pourvali, Bamchade. Chris Marker. Paris: Cahiers du Cinéma, 2004.

Rafferty,Terence. “Marker Changes Trains”, Sight and Sound, XXXV/4 (Autumn 1984), 165-8.

Reisz, Karel and Gavin Millar. “Cinéma-Vérité and the Documentary Film of Ideas.” The Technique of Film Editing. London: Focal Press, 1968, 297-321.

Rickey, Carrie. Review of Description of a Struggle. Village Voice 10.5.82, 45.

Roth, Laurent and Raymond Bellour. Que est-ce qu’une madeleine?: A propos du CD-ROM Immemory de Chris Marker. Paris, 1997.

Roth, Wilhelm. Der Dokumentarfilm seit 1960. Munich: Bucher, 1982.

Roud, Richard. “SLON.” Sight and Sound (Spring 1973), 82-83.

Roud, Richard. “The Left Bank.” Sight and Sound (Winter 1962-63),

Roud, Richard. “The Left Bank Revisited.” Sight and Sound (Summer 1977).

Roud, Richard. “Chris Marker.” Cinema: A Critical Dictionary, v. 2. New York: Viking, 1980, 667-670.

Sanborn, Keith. “Shades without colour: on Chris Marker’s Owls at Noon.” Artforum International. Vol. 43, No. 10 (June 2005), 79.

Scherer, Christina. Ivens, Marker, Godard, Jarman: Erinnerung im Essayfilm. München: Wilhelm Fink Verlag, 2001.

Simmons, Steven. “Man Without a Country.” The Movies (Nov. 1983).

Sragow, Michael. “La Jetée.” The New Yorker Vol. 81, Issue 8 (April 11, 2005), 17.

Stark, Trevor. “‘Cinema in the Hands of the People': Chris Marker, the Medvedkin Group, and the Potential of Militant Film.” October 139 (Winter 2012), 117-150.

Sylvestre, Laurent. Le fragment ou (où) arpenter par les détails le cinéma commme lieu de mémoire et collection imaginaire: avec les ‘Histoire(s) du cinéma’ de Jean-Luc Godard et ‘Immemory’ de Chris Marker. Dissertation, Paris III, 1999.

Thirard, P.-L. “A Propos des Commentaires de Chris Marker.” Positif 44 (March 1962), 72.

Thirard, P.-L. “Joli Mai.” Positif 54/55 (Summer 1963), 110-114.

Thirard, P.-L. “Cuba Oui.” Positif 56 (Nov. 1963), 72-74.

Thirard, P.-L. “Correspondance.” [Letter to Thirard re. "Cuba Oui" by Barthélemy Amengual, and Thirard's response]. Positif 59 (March 1964), 78-80.

Thirard, P.-L. “Un cinéma différent: La Jetée — A Valparaiso.” Positif 64-65 (1964), 144-145.

Thomas, Dessislava. Gegen den Filmriss: Chris Markers Essayfilme und Porträtfilme. Marburg: Tectum Verlag, 2009.

Thomson, David. “Chris Marker: Already Living in Film’s Future.” The New York Times (June 1, 2003), 26.

Vancheri, Luc. “L’oeuvre au miroir. Une journée d’Andrei Arsenevitch, Chris Marker.” Image [&] Narrative, Vol. 10 No. 3 (2009).
http://www.imageandnarrative.be/…

Van Wert, William F. The Theory and Practice of the Ciné-Roman. 1978.

Van Wert, William F. “Chris Marker: The SLON Films.” Film Quarterly 3 (1979), 38-46.

Van Wert, William F. “La Jetée.” Cinema 34.

Wollen, Peter. “Feu et glace.” Photographies 4 (March 1984).

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